Where Is The Limit?

Rosie is a 12-year-old girl whose ugliness makes her the laughing stock of almost all her classmates and the victim of incessant bullying. One day, she is saved from a fresh attack by a one-eyed crow. Following the bird into a strange, dark forest, she meets a witch who will grant her dearest wish.

Mary, a bride-to-be, has a troublesome wedding day.

Mère Ubu

Père Ubu

Cindy is allowed to leave the Women’s Mental Ostopital to spend the weekend with her husband Alex. Back home, it seems that her state hasn’t improved. She still sees men spying on her everywhere in the kitchen. Men with cameras ! There’s even one in the freezer!

Lulu goes to a department store to exchange her doll for something else. While looking for a new item Lulu manages to terrorize the section manager, ski down the escalators, and cause a noahic flood in the store.

While cats and dogs are natural enemies, such is not the case in the house where Herman the mouse lives. They are very good friends indeed, are work together to make Herman's life a hard life. Herman tries to break up their friendship, and divert their attention from guarding the cheese in the refrigerator, and almost succeeds but they make up in time to prevent Herman getting the cheese. They give chase and Herman takes refuge in a jug of wine.

Olive is building a house when the boys happen by. They show off a bit to convince her to let them build her house for her. She decides to split the job in half by splitting the blueprints in half and having each build one side of the house. Of course, "cooperation" isn't in their vocabulary. Bluto does an extremely sloppy job on his half, and also takes every opportunity to either sabotage Popeye or trick him into doing more work. Meanwhile, Popeye's making enough of his own mistakes, many of which seem to involve wedging Olive into small bent pipes. Eventually, Popeye has his spinach and finishes the house, but the house collapses as they are celebrating with a kiss.

An emaciated canary, singing like Frank Sinatra, is getting on the nerves of a pipe-puffing parrot, who speaks like Bing Crosby. The parrot spots Sylvester, foraging through the trash. Telling the cat he needs more vitamins (which the canary has been swallowing in bulk), he lures the cat inside to snare the canary. The straightforward approach fails (the canary bops him in the nose). He carves a female canary from soap, lures Frankie there; the birds slide down a greased counter, into the sink, and down the drain, but only the soap bird goes through the pipe and down Sylvester's throat. A trail of birdseed into the garage seems to work, but Frankie jacks Sylvester's mouth open. Sylvester laces the vitamins with buckshot; like all cartoon magnets, his attracts everything metal in sight except his prey.

Herman, the city-slicker mouse (looking like a cross between James Cagney and Lee Tracy) visits his barn-mice cousins in the country.

A yarn about the mythical Leprechauns who reside in Ireland and their crock of gold. The legend says that if anyone succeeds in capturing one of the wee men, the little person must then lead them to where the gold is hidden. Young Patrick, on his 121st birthday---that is correct, his 121st birthday---is permitted to do a good deed, and delivers new shoes to the homes of the poor. But, alas, the town miser spots him and succeeds in capturing him. Patrick leads the miser to the spot of the gold, a tree stump, and promises, as the legend says, not to remove it while the old miser rushes home for a shovel. But, when he returns he now finds hundreds of tree stumps, and is foiled. Young Patrick is welcomed back home with a birthday cake...with 121 candles.

Wellington the dog is given a package to deliver to Uncle Louie, with strict instructions not to let go of it. Sylvester and another cat that Wellington has been tormenting see this as their chance to get even. Besides repeatedly filching the package, at one point they drop a duplicate off a bridge. Wellington still manages to retrieve the package a few times, but never for long.

Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.

Lulu plans her revenge against a distressed golfer who refuses to give her a lollipop after he promised her one for caddying for him.

After somewhat hectic travel preparations, Anatole and Margot set off on holiday. The cart arrives at its destination, somehow or other, and it’s time to set up camp. But the task isn’t always simple and Anatole is literally blown away, inflated like an airbed!

Climate change seems like a problem of a far distant future. We just go on with business as usual. But climate change, just like the loss of biodiversity and the current pandemic, is a consequence of how we treat nature. Corona is a wake-up call that has disrupted all of our lives. All attention goes towards solving the current problem: controlling the SARS-CoV-2 virus. But prevention is better than cure. To do this, we have to look at how infectious diseases emerge and spread. World-renowned artist Steve Cutts created an animated film for the Nicolaas G. Pierson Foundation, in which he not only visualizes the factors that cause pandemics, but also points at the urgent measures that are needed to reduce the risk of future pandemics.

This sci-fi action-comedy follows the adventures of Crusoe, an astronaut stranded on an alien planet teeming with hostile life.

When Ed's best friend, Liam, takes him on a surprise camping trip in a secluded desert, he becomes suspicious about Liam's true intentions.

Pinocchio, an animated wooden puppet tries to escape from his father, Gepetto in a creepy and dark toy factory.

Chloé and Louis are secretly in love with each other. Every word is a move, every sentence is a choreography.