Heroes and Husbands

Male and female sales agents, Phil and Ruth, for rival hosiery concerns try to land an order. For a while Phil succeeds and puts on an exhibition but Ruby makes the mannequins use her own brand of hose, flirts with the buyer and wins order away from her rival.

A father-and-son team of cons gamble their firm’s assets. The son is caught investing money that doesn't belong to him and is indicted on a swindling charge. The plot gets spicy when the District Attorney handling the case is his former sweetheart's husband. This situation gives the DA an opportunity to prosecute his romantic rival.

As a derelict paints the face of a girl on a barroom floor, the plot is developed in a series of flashbacks: Robert Stevens, an artist engaged to marry Marion, a society girl, becomes charmed with a fisherman's daughter who poses for him. The society girl's brother brings dishonor upon the fisherman's daughter, and when she commits suicide the artist shields the brother. Stevens is blamed by his fiancée, who terminates their engagement. The artist becomes a derelict and is wrongfully imprisoned. Eventually Stevens is exonerated and reunited with Marion.

Society girl Constance Bailey becomes a schoolteacher in New York's Lower East Side, telling her fiancé, Bruce Van Griff, that she is sailing to Europe.

"Thirty per cent dividend! Is your money supporting you? If not, call and see us. Rising Sun Copper Company." This is the bait that the vultures throw out to catch the "doves," widows and orphans.

Mrs. Grant, a widow, has one son, Donald. He is not really a bad fellow, but is full of devilment and always getting himself into mischief. One day, he visits the village inn and follows this up by pinning a caricature of Elder McWirther on that gentleman's gate. It is decided by the deacons to expel him from the church.

Virginia Jameson, a girl of lovely disposition, is wooed by a man much older than herself whom she very much dislikes, but who stands very high in the favor of her parents. She might have married another man had not fate decreed otherwise. She meets and accidentally escapes the man she could have loved and would have married; she stooped to tie her shoe-strings, diverting her attention from him. Had their eyes met, both their lives would have been different. Leroy Farley, the man favored by her parents, prevails and she marries him. Her life is unhappy, notwithstanding his great riches and social prominence.

Firemen Tom and Joe each loves the other's sister, although neither is able to support a wife. Tom's troubles are compounded by a rival for his sweetheart's hand. In a drawn out fight he bests the rival, who steals the revenue from the firemen's ball (of which Tom is treasurer) and hides the money in the storage warehouse in which Tom's sister works as a stenographer. While Tom, Joe, and their sweethearts search for the money, the villain also returns for his loot, and, in his haste, he sets the building afire--trapping the foursome behind a steel door. Their calls for help reach the street, an alarm is turned in, firemen come to the rescue, and the money is found in a blazing desk.

During his daily duties, Casey the Cop rescues a woman who's soon his sweetheart. Later, she learns from her banker uncle that her inheritance has been stolen, and he's accusing Casey's own cashier brother. Casey is on the case.

Betty falls in love with Samuel Hayden, who was washed ashore after having survived a shipwreck. The self-acclaimed most religious man in town accuses a kindly man, whom he calls "The Devil," of robbing Samuel. Soon becoming bored with this slander, he attempts to break up the romance between Betty and Samuel, contriving to have her turned out by her stern father. Samuel is later discovered to be an escaped convict. This disclosure results in a series of escapades during which the true character of the village hypocrite and "The Devil" are revealed, showing the former to be vicious and the latter to be generous and benevolent.

Nancy Bradshaw (Katherine MacDonald) is a popular stage star who quits her career to marry millionaire clubman Dick Cunningham (Charles Richman). But after a few years of marriage, he starts seeing other women. Figuring that her public was more faithful to her than her husband, Nancy returns to the stage.

After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.

Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.

Political graft collector, David Power forced by the district attorney to leave New York takes cabaret singer Hebe Norse with him. Showing talent in a variety of professions, Power is eventually hired by a great steel manufacturer, Gail Rogers. He falls in love with Rogers' daughter Rosalie, and they marry happily until Rogers returns home with a new wife…. Hebe Norse. When Rogers discovers Hebe's past, the two men sever ties as does Rosalie. Vengefully Rogers tries to ruin one of Power's companies without success. Ultimately Rosalie forgives Power and they and their young daughter are reunited.

Based on the poem of the same name by Alexander Pushkin.

Even though he disapproves of the harshness with which his father, the Colonel, treats his employees, Wayne Craighill joins the old man's mining business. Adding to the strain between father and son, Wayne soon falls in love with Jean, the daughter of a small mine owner whom the Colonel wants to put out of business.

Cora Madison, the town flirt, delights in making men love her and then dropping them, so when newcomer Valentine Corliss arrives, she views him as just another potential victim. Rather than falling for her charms, however, Valentine persuades Cora to use them in getting her past suitors to invest money in one of his phony business deals. Cora soon falls in love with Valentine but also discovers, along with the other townspeople, that he has been swindling almost everyone and that he courted Cora simply to be able to use her well-respected father's name in connection with his business scam.

In the Jacobite Rising of 1745, the Young Pretender Bonnie Prince Charlie leads an insurrection to overthrow the Protestant House of Hanover and restore his family, the Catholic branch of the House of Stuart, to the British throne.

After a stirring performance, Cleo Martell, a renowned stage actress, is visited in her dressing room by Gordon Trent, a too ardent admirer. When Cleo's husband enters, a fight ensues, and Trent kills his rival in the struggle. Jack Stanley arrives on the scene to help but is accused of the murder by Cleo and is sent off to prison. The opportunistic Trent marries Jack's rich fiancée Helen Forde, who believes that her former lover is guilty of unfaithfulness. Jealous of the arrangement, Cleo eventually tells Helen the truth about the killing, causing Betty, Helen's daughter, to cry over her mother's unhappiness. Moved by the girl's tears, Cleo joins forces with Helen against Trent, and the two women go West where Jack, escaped from prison, works as a cowboy.

After Roger Laroque maims Louversan, his look-alike, in an honorable duel during the Franco-Prussian War, Louversan swears revenge on his better. In Paris, Roger falls in love with Julia, who he later discovers is married to Lucien, his close army friend. Out of duty to Lucien, Roger ends the affair and leaves for the country where he meets and marries Marie Greville, his uncle's ward. Furious at Roger's desertion, Julia vows revenge and joins forces with Louversan.