Inquilab Ke Baad

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

Three couples who get separated from each other due to an evil ploy, reincarnate after 600 years and meet each other as history repeats itself again and their respective partners get mixed up this time.

An ageing Kaalidhar escapes his family after overhearing their plans to abandon him. He meets the free-spirited Ballu, and they embark on an adventure to tick things off Kaalidhar's bucket list.

Binda, an old musician in a village near Bombay, has brought up his son Rajan, in the hope that one day Rajan will become a great musician.

A woman who dumps her boyfriend for a rich, older man regrets that choice when her ex takes up with her new stepdaughter.

Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.

Avtaar Krishen lives a poor lifestyle with his wife, Radha, and two sons, Ramesh and Chander. He works in a factory and toils hard so that his sons can get the necessary education, and live a better lifestyle. He gets injured and crippled while working, but is compensated adequately by his employer, Bawaji.

Based on the Naxalite–Maoist insurgency in the Bastar district of Chhattisgarh, an army officer leads a mission to eradicate a group of Maoist separatist insurgents responsible for the massacre of a military troop.

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

Uma, the eldest daughter-in-law, strives hard to bring her estranged family together and keep her home intact.

Professor Brij Mohan Agnihotri is a confirmed bachelor. Period. No amount of pleading or even begging him to get married, has had no effect on him whatsoever. His reputation gets around, and he gets a young man named Rajesh, to wishes make him his mentor, to which Brij agrees. On a visit to his friend out of town, Brij meets with his beautiful daughter, Punam, and falls head over heels in love with her. Throwing all caution to the winds, he changes his appearance, and attempts to woe Punam, only to find that Punam is attracted to his student, Rajesh. Now the professor has to decide whether to get rid of his pupil altogether, or to reverse their roles and make him his mentor.

Pooja lives with her doctor husband and a young son. Her son becomes seriously ill and does not respond to any medication, her husband wants him to be moved to a hospital for further .

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

Professor Vidyadhar teaches Hindi in a college and resides in a flat with his wife, Shobha, and school-going son, Pappu. He leads a fairly routine and mundane life, until a new resident in the flat upstairs moves in - an attractive young actress by the name of Menaka Khanna, the daughter of a wealthy man, Dinanath.

A humble tonga driver named Lachhman returns a forgotten bundle to Rajo, and though her father offers him a reward, he refuses. Instead, he sells his beloved tonga to raise a dowry and marry her. After tragedy strikes and Lachhman dies, Rajo takes up the tonga herself to survive, challenging tradition and society’s expectations.

A newer version of the popular love story of Heer (Sridevi) and Deedho (Anil Kapoor), who calls himself Ranjha after leaving his house and living incognito in Heer's village as a labourer in her father's (Shammi Kapoor) house. Heer and Deedho were childhood sweethearts, separated because of family animosities, which have grown over the years and kept on the boil by Kaheda (Anupam Kher), whose leg was irreparably fractured by Deedho's family and friends.

Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.