La Machine à défaire la vie

One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.

An abstract animation. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.

In a leafy forest, a Galician sovereign who longs to attain wisdom meets a sorcerer, who tells him: “Go back to your country and study the Earth and the Stars in the sky; anywhere in the world reflects an image of it. You will ride on this arrow, which you must keep for a hundred years and a day. After this time, stick it in the widest valley of all those you possess, with the tip facing the sky. Then the Moon will come and, just as it exerts its action on the waters of the sea, it will act on the arrow, turning it into a holy mountain." - Legend about the Pico Sacro Inspired by Hokusai's views of Mount Fuji and Cézanne's paintings of Mont Sainte-Victoire, "Pico Sacro [The Holy Mountain]" aims to reveal the mystery and the magic that underlie reality.

By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.

Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.

Ali takes a personal look at the complexities of his childhood through old photographs, vivid memories and a bunch of tunes in an attempt to reconnect with his feelings at that time.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

Four Poems is a series of video poems in which the horizontal lines of a poem, usually composed of text, have been substituted for horizontal lines of moving image. The piece explores what remains of a poem when its language is removed, and how images might interact with each other in similar or different ways to words. It asks whether rhyme, rhythm, sibilance, or dissonance, might be effectively created by juxtaposing images. It also asks whether arranging images might create a sense of authorship, intentionality, or a tone of voice, in the way that arranging words might. Finally, Four Poems invites the viewer to consider how they might ‘read’ a poem – does a reading have to occur from top-to-bottom, or might new interpretations be possible when the moving parts of the poem can all be seen at once?

Inspired by the “psychic and physical toxicity of life in late capitalism,” Evan Caminiti’s Toxic City Music utilizes sounds sourced from daily life in NYC. These found sounds are heavily processed and woven into instrumentation ranging from electronically treated guitar to modular synthesizers. Toxic City Music evolved over the course of several years, resulting in a wealth of material which will be re-processed and uniquely presented in an improvisatory manner in live performance. The Wire describes the new work as "The sound of things falling apart with unbearable slowness…[with Caminiti] reporting his observations with acuity, integrity, and artfulness."

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

Por si vuelves...

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

a poem. trees. fragments of fritz. love—and nothing besides!

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