The Better Man

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

A part of the MuTe Track stories: Lea struggles to juggle her schedule of practicing as an idol trainee and secretly working a part-time job. Her mother's birthday is coming close so she works twice as hard in order to buy a present. However, her little sister accidentally catches what she has been hiding.

One man's fight against himself spirals recklessly out of control.

Darren, a keen gambler, finds himself having to escort an unknown woman on the other side of Paris for a Mafioso. Struggling with the implications of his involvement in the affair, Darren is forced to reconsider his values.

A noir action thriller about an amateur MMA fighter who is quickly and unknowingly thrust into the world of a criminal organization.

A privileged music student and an off-the-rails youth share an unlikely moment of intimacy with a violin.

Roffa

The camera lingers over the back of a lonely New Yorker who ponders his own existence, his fears and fear of fears. Shot with an Olympus E-M5 Mark II as part of a film series to promote the camera system.

A teenage boy is in love with his straight best friend, but a traumatic experience has changed the dynamics between them.

Setting Sun

Nina, a 13-year-old pickpocket with a sharp and wise look, is checking the content of a man's wallet she has just stolen. She is staring at the unknown family pictures with curiosity and sadness - A little later, Nina is captured in her next attempt to steal. Surprisingly, the victim Yana refuses to surrender Nina to the police and decides to pay a little attention to the girl, taking her lunch.

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.

A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.

Sam is a reclusive young man who finds solace with those who share the same self-described title as him: Incel. When his countless real-life efforts at love fail, Sam turns to this anonymous community of the “involuntarily celibate” for help, but instead finds himself increasingly pushed towards extremism.

Andrés is having a hard time at school and he is provoked past boiling point.

A young man attempts to discover the source of a mysterious phone call, leading him towards a terrifying discovery as his reality begins to unravel.

Three different love-related stories -all starring María Vaner as different "Anas". In "The Earth," Ana is a young and idealistic woman on the verge of adulthood when her first relationship with a clerk shatters her dreams of a romantic life. In "The Air," Ana is a rebellious, easy-living type among some beach bums whose sexual leanings tend to tip the scale at active promiscuity. In "The Cloud," Ana only exists in the imagination of an introverted man, who dreams of his ideal woman.

A man alone is walking down the road. The first film (short) by Tonia Marketaki is based on a short story by Menelaos Loudemis. A poem of his “tonight” is heard in the filmm.

A heartfelt depiction of a man facing his own mortality while reflecting on the grave mistakes of his youth.