My Good Fortune in Auschwitz

A profile of Swedish diplomat Raoul Wallenberg, the film covers his role in saving the lives of Jewish refugees from the Holocaust, as well as exploring the evidence that he may still have been alive in a Soviet gulag as late as the early 1980s.

The documentary tells the life story of Margot Friedländer, a 101-year-old Berlin native who survived the Holocaust and was awarded the Federal Cross of Merit, First Class, in January of this year.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.

Even high Nazi leaders like Joseph Goebbels and Hermann Göring were almost contemptuous of this party comrad, and yet he was one of the most influential figures in the Third Reich: Julius Streicher, publisher of the anti-Semitic weekly "Der Stürmer", responsible for the worst propaganda and infamous for his corrupt and violent regime as Gauleiter of Franconia. By the Allies he was considered a symbol of Nazi hatred of the Jews. In 1946 he was sentenced to death in Nuremberg and executed.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Dr. Edith Eva Eger recounts her story of survival as a prisoner at Auschwitz concentration camp, her struggle with survivor's guilt and how her work as a psychologist has helped her grow and heal.

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

In 1938, the Jew and political activist Ernst Federn was arrested by the Nazis in Vienna, taken to Dachau concentration camp and later to Buchenwald. He was imprisoned there for seven years - and survived. In the documentary, Ernst Federn, who emigrated to the USA after the war, talks about the terror he experienced.

Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organized and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.

A film about non-Jews who saved Jews during the Holocaust.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

Researcher Hannelore Witkovsky searches for the notorious Nazi war criminal Dr. Joseph Mengele's lost film about his experiments on a family of little people in Auschwitz including Holocaust survivor Perla Ubitsch, whom she befriends.

In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.

Fear and fascination arise in Muriel Grey when she remembers the figure of her father, who passed away when she was still very young. Thirty years after his death, Muriel will tell us the story of José Carlos Grey, a Black Holocaust survivor, freedom fighter in the Spanish Civil War and the French Resistance, and one of the only Black men known to have been imprisoned at the Mauthausen concentration camp in Austria.

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.