My Good Fortune in Auschwitz

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

An analysis of The Kindly Ones, Jonathan Littell's controversial novel, published in 2006, which dissects the ruthless mechanisms of the Shoah from the detached point of view of Maximilian Aue, a high-ranking Nazi officer.

A Jewish town is burning. The figures of the dying inhabitants are inscribed in organic sculptures. A male choir sings the 'S’brent, unzer sztetl brent' (Fire, our town is on fire) song by Mordechaj Gebirtig.

Eva Mozes Kor, who survived Josef Mengele's cruel twin experiments in the Auschwitz concentration camp, shocks other Holocaust survivors when she decides to forgive the perpetrators as a way of self-healing.

Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organized and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.

In 1944, two prisoners miraculously escaped from Auschwitz. They told the world of the horror of the Holocaust and raised one of the greatest moral questions of the 20th century.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

The documentary tells the life story of Margot Friedländer, a 101-year-old Berlin native who survived the Holocaust and was awarded the Federal Cross of Merit, First Class, in January of this year.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.

For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.

A portrait of Pope Pius XII (1876-1958), head of the Catholic Church from 1939 until his death, who, during World War II, and while European Jews were being exterminated by the Nazis, was accused of keeping a disconcerting and shameful silence.

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Can a language save your life? Yes it can, even an ancient one from the 15th century. Saved by Language tells the story of Moris Albahari, a Sephardic Jew from Sarajevo (born 1930), who spoke Ladino/Judeo-Spanish, his mother tongue, to survive the Holocaust. Moris used Ladino to communicate with an Italian Colonel who helped him escape to a Partizan refuge after he ran away from the train taking Yugoslavian Jews to Nazi death camps. By speaking in Ladino to a Spanish-speaking US pilot in 1944 he was able to survive and lead the pilot, along with his American and British colleagues, to a safe Partizan airport.

Fear and fascination arise in Muriel Grey when she remembers the figure of her father, who passed away when she was still very young. Thirty years after his death, Muriel will tell us the story of José Carlos Grey, a Black Holocaust survivor, freedom fighter in the Spanish Civil War and the French Resistance, and one of the only Black men known to have been imprisoned at the Mauthausen concentration camp in Austria.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

While searching for her grandmother, the director comes across the story of three brothers who are torn between the fronts of political ideologies in the Third Reich and divided Germany: "the third brother" is the filmmaker's grandfather, who, in confronting her father, tries to overcome decades of speechlessness and, in the process, to understand where in the past her father's sense of family fell by the wayside.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.