Predestinado

PentaTri: A Hegemonia

A Rodriguiana Epopeia Rubro Negra

A research on prehistoric Petroglyphs of Arasbaran area in Azerbaijan province of Iran, and the megaliths of Pirazmian area as signs of a lost civilization.

An exploration on ancient sites of iron age Kingdom of Urartu in Iranian Azerbaijan, the Medes and the Manna civilization near Lake Urmia.

The history of Iranian Azerbaijan from the Medes era to the Sasanian Empire and from Takht-e Soleyman in Atropatene to St. Thaddeus Monastery (AKA Qara Kelisa).

Story of Azerbaijan, from Sheikh Safi-al-din Ardabili to establishment of Safavid dynasty by King (Shah) Ismail in Iran, and Sheikh Safi-al-din Khanegah and Shrine Ensemble in Ardabil.

Panorama du départ de Belfast

Départ de Dunmurry

Les grands espaces de l'Ouest Américain

江湖，再见！

Frank Connor, stills photographer on The Elephant Man, discusses his work on the film as well as the evolution of his career, with some very interesting comments about the 'old days' and David Lynch's working methods.

A documentary showcasing the nation of Cambodia.

History of Iranian Azerbaijan from Oghuz Turks to the Qara Qoyunlu rulers who built the Blue Mosque (Pers. Masjed-e kabud); and to Hasan Padeshah Aq Qoyunlu who chose Tabriz as their capital.

Azerbaijan in the era of the Qajar dynasty and Russo-Iranian wars at the sides of Aras river, also The Persian Constitutional Revolution in Tabrizi until death of Sattar-Khan (National Commander) in Tehran.

the film is a visit to Ain Elhelwi and Shateela camps in the year 1999

Bateaux sur le lac de St-James Park

Documentary about Tristan Da Cunha, one of the world's most isolated islands, with a population of only 300 people. Its only contact with the outside world at the time was a once a year mail boat. US producer, John Hemingway travelled to the island on that boat and spent two weeks on the island. The film is a record of his journey and his experiences during his stay.

Départ d’un bateau sur la Tamise

Twenty-five years after the genocide of Tutsis in Rwanda, filmmakers visit a country still haunted by the massacres of spring 1994. A group of inmates try to understand what made their participation in the fourth genocide of the 20th century possible. In Kigali Prison, some testify about their abuses against Tutsis. Directed by Violaine Baraduc and Alexandre Westphal as part of a thesis on the participation of women during the genocide, the film questions the generalization of violence to all layers of Rwandan society.

Panorama du palais de Westminster pris de la Tamise