Citizens of Nowhere

The motivations behind Paratriathlon Events Gold Medal winners, Spanish José Luis García and his guide, Francisco Nieva, and the strong bond between them.

A short documentary about witches.

The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.

What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.

An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.

A movie projectionist reconstructs his memory through movies.

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.

Dramatizes the case of a family in which the father respects and loves his wife and children, permitting each to develop as an individual, and contrasts this family with one where discord and hostility prevail.

A 91-year-old Polish Holocaust survivor donates his violin of 70 years to a local instrument drive, changing the life of a 12-year-old schoolgirl from the nation’s poorest congressional district, and unexpectedly, his own.

Documentary short about a strange phenomenon where a phone booth that was in the middle of the Mojave Desert began to attract people around the world to call the number and also to travel to the desert to answer the phone.

Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.

A young woman escapes the war in Syria and ends up in the forest in Sweden. Listening to music is a way for her to survive and bring her back, in dreams and memories, to her homeland.

Roman township of San Basilio: Fabio, 7 years old, in Italian a "character", is assigned to a differential class. How the family reacts, what the neighbors say, what the teachers, the principal, the psychologist of the elementary school think: the doubt is that there is no re-education of a child at stake, but the green light for social homologation.

When Dortmund is playing against Schalke, riots and brawls are destined to happen. The fans of both clubs are shown during soccer matches and asked where the abysmal hatred against the opposing club comes from.

Documentary short that explores the sacrifices acclaimed actress Juliette Lewis makes to pursue her first love, music.

The “Painting Skills for Africa” association has been traveling to Rwanda for 10 years now. They support local institutions through social projects. They are painting schools, kindergartens and hospitals. Always at eye level with the journeymen and vocational students.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

One minute film of Buffalo Bill's famous show.