Citizens of Nowhere

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Along this goal to ski all fifty of "The Fifty Classic Ski Descents of North America", there lies a few cruxes. A few lines that stand out as the ultimate test for skiers. Lines that have seen one, maybe two, ski descents in history. One such mountain that is on that list is Mt. St. Elias in Alaska. Mt. St. Elias is a mythical, foreboding peak that jumps straight out of the ocean, 18,008 feet into the sky. It's renowned for violent storms that come straight off the northern pacific and slam into its icy steeps. It is unknown how many people have ever stood on the summit, but it is known that most people that try, fail. In May of 2021, Cody Townsend, Dan Corn, Nick Russell and cinematographer Bjarne Salen set out to climb and ski this Alaskan beast. This is the tale of their adventure.

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

In this heartfelt short film by Jesse Collier Sutterley, Roosevelt Farrow, born in 1929 at the start of the Great Depression, shares his lifelong dream of becoming a U.S. Marine, despite the racial barriers of his time. Raised by his grandmother in humble conditions, he was inspired by the sight of Marines visiting his community. Farrow’s determination led him to join the Marine Corps, where he faced the challenges of Montford Point boot camp, eventually becoming an expert marksman and retiring as a Gunnery Sergeant. Although he never saw combat, a fact he attributed to his wife’s prayers, he realized the significance of his journey when he witnessed black officers rising in the ranks. Farrow's story is a testament to perseverance and the pursuit of one's dreams, encouraging others not to give up on their aspirations despite austere beginnings and social injustice.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

Documentary on industrial lubrification.

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.