Incomplete Sentences

The life and work of Argentinian writer Jorge Luis Borges, a long interview, fragments of some of his most significant verses and dramatizations of some of his stories. Borges for everyone.

Ken Bugul: Nobody Wants Her - Portait of an Author

This is a story of a seemingly quiet and unobtrusive man, author of a colossal and partly unfinished literary work. We will try to trace back to the origins of his inspiration so as to understand why his work met and still meets with so much success. How did JRR Tolkien manage, through the power of words alone, to so widely instill wisps of magic in the midst of a particularly disenchanted 20th century?

A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path.

By the end of 1963, the word coup was no longer spoken in Turkey. Talat Aydemir is history, the last tremors of the May 27 earthquake have passed and the sliding faults of the regime have begun to settle into place. In this transition period, which lasted more than four years, the person who managed to get the ship to the port without running aground was İsmet İnönü. He ruled for four troubled years in a country torn between armed uprisings, Cyprus crises, coalition governments and regime debates. But meanwhile, he was also worn out. In the local elections held at the end of 1963, while the CHP's votes remained at 37 percent, the AP found 45 percent. But on the very day of the final election results, a few gunshots heard from across the Atlantic turned everything upside down...

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occuring.

The slogan "Great Türkiye" began to be heard for the first time in the mid-60s. The Turkish economy had become unstable and stagnant at the hands of military interventions and the provisional government. After 1965, the system began to settle. The economy's also recovered. With the 2nd Development Plan, the wheels of a liberal economy were turned. On the 1 hand, private sector incentives, big projects such as Keban Dam and Bosphorus Bridge. Electricity was going to the villages, Turkey was getting its share from the growth in the world, the country was "doubling up" in the words of the prime minister. Inflation was five percent. Demirel, who rushed from one groundbreaking ceremony to the next, had nothing to say. Of course, this vitality was also reflected in social life. Unions, associations, universities were fidgety. The world and Türkiye were going to 1968 at full speed. The year that gave its name to a generation in the history of the world and Turkey; 1968 had come...

When March of 1971 knocked on the door, a military intervention was imminent in the country. Bombs were exploding in a strange way from right to left, and the urban guerrilla was resorting to unconventional acts such as bank robbery and kidnapping. The generals had decided to put a stop to this trend. Dynamite was placed under Prime Minister Demirel. The question now was who would ignite the fuse of the dynamite. President Sunay was waiting to watch the approaching explosion silently from Çankaya. Tuğmaç, Chief of General Staff, tried to delay the explosion as much as possible, preferring Demirel to self-destruct. The two generals were watching each other to see who would ignite the fuse first. These two generals were Faruk Gürler and Muhsin Batur. The fire was in their hands. They were going to detonate the dynamite...

Demirkırat stumbled on March 12, 1971. Actually, you know, they shoot limping horses. But this time it didn't. Turkish democracy continued to run despite its wounds. Because March 12 was not a "seizure" but a "warning". The generals were saying, "If what we want is not done, we will seize it." The country was entering a new era under this Sword of Damocles. A president who was helpless in the face of events, a prime minister who had to leave his seat, a newly fallen parliament, four generals neither inside nor outside the power... Now, a solution would be tried to be found out of this complex equation. But how and with whom? No one knew the answer to these questions in Turkey on the morning of March 13.

Revolutionaries passed before the streets of the 1960s on the road to democracy. Then the youth with the victory songs, the workers with the rebel flags, the rightists, the leftists and the putschists again. The country spent 12 years in the grip of the revolution and in the end all roads came to the same crossroads. Ankara was restless in the minutes when the ousted prime minister of the Democratic Party, Adnan Menderes, was hanged. The news of Menderes' execution had not yet come. There was an anxious wait in the houses. Ears were on the radio. Everyone was wondering what happened in Imrali. In the Assembly, the National Unity Committee was in a meeting. They were also trying to learn the fate of Menderes. Suddenly, news came that EP Chairperson Ragıp Gümüşpala and Secretary General Şinasi Osman wanted to meet with the committee urgently. The committee members did not break the request of their former commander Gümüşpala and made an appointment for 14:30...

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

After being for eleven years in the city, José António Baptista returned to his home village to focus on literature.

Documentary about the writer Thomas Verbogt and the creation of his latest work. The film shows how Verbogt takes a radical experience from his earliest childhood as the starting point for a novel. Drawn animations, combined with filmed scenes, depict how the writer's imagination sprouts from a literary character.

Frequent perpetrator Tony ends up in the Pieter Baan Center after yet another violent robbery. For seven weeks, a procession of behavioral researchers passes him by. They must ultimately come to a unanimous conclusion and then advise the judge: whether or not accountable; tbs or not. Psychiatrist: "What is the worst outcome for you?" Tony: "Tbs with compulsory care." The Pieter Baan Center is a detention center with the special task of investigating persons suspected of a serious crime. It is an independent investigation commissioned by the Ministry of Justice. In a seven-week process, the suspect's personality, the possible presence of a disorder and / or a mental illness and whether it can be linked to the crime are examined. Is there a chance of recurrence?

Ohne jede Regel - Fightclubs in Deutschland

Documentary about the murder of Vincent Chin in 1982 and the aftermath. The documentary also explores the modern Asian-American identity when so few Asian-American youths are aware of who Vincent Chin is.

They are fighting against the government and the electric power industry to leave Norwegian nature as it is. Documentary about the "Monster conductors" in Hardanger.

Moeder & Grunberg

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?