Satyavadi Raja Harishchandra

Waris Hussein’s acclaimed drama is based on the autobiography of Firdaus Kanga, who stars in the lead role of Brit, a young man born with brittle bone disease, which causes him to have never grown beyond four feet tall. The film follows his sexual awakening whilst his family simultaneously disintegrates all around him. An extremely moving drama confronting stereotypes around disability, sexuality and race, featuring a powerhouse performance from Kanga.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).

The American-born son of Indian immigrants strives to fit in among his fellow New Yorkers despite his family's unwillingness to let go of their traditional ways.

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.

Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Velu Naicker, who witnesses the brutal murder of his father, kills a corrupt policeman and escapes to Mumbai, only to become a gangster.

Based on the memoir by Indian policy analyst Sanjaya Baru, The Accidental Prime Minister explores Manmohan Singh's tenure as the Prime Minister of India, and the kind of control he had over his cabinet and the country.

College freshman Krishna Reddy, who has never cared for his Indian-American cultural heritage, looks forward to a new life on campus but is surprised to find that he has been assigned Indian roommates.

When a famous Bollywood actor visits a small village for a film's shoot, a poor hairdresser's claim that they were once childhood friends soon makes him the centre of attention.

A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.

Recently divorced Carl and Julie are not on good terms. When their 19-year-old daughter goes missing in India, they must journey into the Himalayas in search for her.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.