Satyavadi Raja Harishchandra

One of the greatest and bravest incident from the life of The Great Maratha King Chhatrapati Shivaji Maharaj where he defeated Afzalkhan with his brilliant tactics and courage.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

Since they graduated from school five years ago, the friends Jo and Kati have not seen one another. While one of them travels around the world and has arrived in India in the meantime, the other one is struggling with the final exams of the university. But five years are like blown away when Kati one day listens to a worrying message from her friend on her answering machine. Immediately, she drops everything and drives to her home village in order to gather together the old friends from her school days and to look for Jo in India.

Velu Naicker, who witnesses the brutal murder of his father, kills a corrupt policeman and escapes to Mumbai, only to become a gangster.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Lakshmi is a thirteen-year-old girl who lives with her family in a small hut on a mountain in Nepal. When the Himalayan monsoons wash away all that remains of the family's crops, Lakshmi's father says she must leave home and take a job to support her family. He introduces her to a glamorous stranger who tells her she will find her a job as a maid in the city. Glad to be able to help, Lakshmi journeys to India and arrives at "Happiness House" full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution...

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

After his entire department is outsourced, an American novelty products salesman heads to India to train his replacement.

Chronicles Narendra Modi’s life and events leading up to his swearing-in ceremony as the Prime Minister of India in 2014.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

This Punjabi Movie, Dukh Bhanjan Tera Naam is a Punjabi movie about Sikhism. It was a great success. It portrays the people's belief in the almighty god who is one and how life teaches a lesson to those who does not believe so.

While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho cult de-programmer who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent and iron-willed Ruth.

When a famous Bollywood actor visits a small village for a film's shoot, a poor hairdresser's claim that they were once childhood friends soon makes him the centre of attention.

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.

Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.

Events in India's history — from the Emergency and the famous Cricket World Cup win to the Punjab riots — unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.

A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!