Satyavadi Raja Harishchandra

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

A donkey strays into a village dominated by the upper caste Brahmins.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

After his entire department is outsourced, an American novelty products salesman heads to India to train his replacement.

Velu Naicker, who witnesses the brutal murder of his father, kills a corrupt policeman and escapes to Mumbai, only to become a gangster.

Set in 1960s India, Archie and the gang navigate romance, friendship and the future of Riverdale as developers threaten to destroy a beloved park.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

Lakshmi is a thirteen-year-old girl who lives with her family in a small hut on a mountain in Nepal. When the Himalayan monsoons wash away all that remains of the family's crops, Lakshmi's father says she must leave home and take a job to support her family. He introduces her to a glamorous stranger who tells her she will find her a job as a maid in the city. Glad to be able to help, Lakshmi journeys to India and arrives at "Happiness House" full of hope. But she soon learns the unthinkable truth: she has been sold into prostitution...

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).

Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.