Silent cartoon.
Taken from The ABCs of Death; a man arrives at the beach to surf with bricks, in an attempt to end his life.
Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.
A rare spoof. With the success of the 1925 film, The Lost World, it is common that when something is popular and successful, it is bound to be a subject for parodies and cash-in attempts. One of them was The Lost Whirl. This film featured stop-motion animation by Joseph L. Roop, who worked on the original classic, The Lost World.
The Mayor and the Chief of Police have offices in the same building, and are both enamored of the chief's stenographer, Dolly. However, she gives most of her attention to young Sammy, secretary to the Mayor. Approximately, 11 minutes survive from this two-reeler.
A rich man hires a pair of brothers, one to teach him to box and the other to manage him. Meanwhile, the rich man must fend off his brother-in-law, who is after the family inheritance. The film is lost.
Join us down deep within the basement of ToonMan as a not so colorful cast of characters join together only once in a half moon to play poker for one night. Who will win, and who will lash in anger?
An insoluble quest.
FRED'S FICTITIOUS FOUNDLING is part of a series of comedies produced and directed by Josh Binney and were made for the Florida Film Corporation at the Klutho Studios in Jacksonville.
It might not take you long to cotton on to the trick of this film, but the results are still impressive. Though the various strings, wools and embroideries if this film are certainly animated in one sense, it is not through stop-motion animation. The time-consuming process of manipulating threads frame-by-frame is avoided by simply using reverse film techniques.
Shows masked mental patients enacting various schizophrenic symptoms as they were understood at the time. A disturbing film that raises questions about the condition and treatment of its subjects. (archive.org) “Abstract: This film describes and demonstrates four types of schizophrenia. Filmed at various New York institutions, it shows patients singly and grouped in large, outside recreational areas. Some patients are blindfolded. Symptoms shown include: social apathy, delusions, hallucinations, hebephrenic reactions, cerea flexibilitas, rigidity, motor stereotypes, posturing, and echopraxia.” (Guide to Mental Health Motion Pictures)
This hand-painted and elaborately step-printed work begins with a flourish of reds and yellows and purples in palpable fruit-like shapes interspersed by darkness, then becomes lit lightning-like by sharp multiply-colored twigs-of shape, all resolving into shapes of decay.
Multiple thrusts and then retractions of oranges, reds, blues, and the flickering, almost black, textural dissolves suggesting an amalgam approaching script.
Dark, fast-paced symmetry in mixed weave of tones moving from oranges & yellows to blue-greens, then retreating (dissolves of zooming away) to both rounded and soft-edged shapes shot with black.
Sergei, an aspiring musician, accidentally meets a deaf-mute girl, Natasha, and falls in love with her. He has to change a lot to prepare himself for a new relationship with a different and very vulnerable person. Natasha is like an alien or an alieness with whom Sergei has to find a completely new language to speak. Natasha tries hard to understand his musical world. The problem is that Natasha lost her hearing during the war and associates sounds with fear and pain. Even a symphony concert is torture for her.
From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.
Filmed during the 52nd National Convention of the American National Association of Letter Carriers in August 1980.
Elam films her close friend, Chuck Kleinhans.
This footage is almost entirely black, save for a few shots possibly showing electric poles outside.