Your Silence Became My Revenge

Madreselva

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

KATHARSIS

A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.

Chetia, a single mother of an unwanted child, is forced to make a rough living in Torrevieja running balconing bets.

Barricaded in a motel room, a mother's determination and primal instincts kick in to protect her child's innocence.

Three episodes. In the first, Aurora lives in a luxurious apartment. Among some workers called to her house, she recognizes an old lover, who returns to courting her, but then empties her house. In the second, a boy released from reform school discovers that his mother is actually his father: a transvestite. In the third, a newsagent, suspecting her husband, who constantly pretends to be ill, is cheating on her, places a video camera in her room. She records his sexual encounters on a videotape that she sells at newsstands. In his directorial debut, Corsicato demonstrates a sharp and poetic talent (he was Almodovar's assistant) in creating three portraits of women that are also portraits of his city, Naples.

Whether famous or anonymous, stars or prisoners, models or sex workers, women have always been at the center of Bettina Rheims' photographic work since her debut in 1978. Both subversive and glamorous, trashy and sophisticated, her photographs mark and bear witness to the upheavals of the era, which this leading photographer both anticipated and accompanied.

Amid endless rain, environmental chaos and a society ruled by violence, a mother must protect her daughter from the external dangers of their dystopian world and the perilous threat within their own home.

Summer is a permanent state of mind in Limassol, a once small seaside town in Cyprus now transforming into the oligarch paradise of the Mediterranean. Within its asphyxiating environment, Tina, a depressed food stylist is ready to give up on everything on the day of her birthday, until an extraordinary encounter changes her life.

A teenager plans her own kidnapping with the help of her boyfriend and her best friend. They dream of going to live in the United States to have the baby they are expecting; however, the situation gets out of control and she becomes a victim of her own game.

A woman who focused on being a mother feels that she no longer has any purpose now that her son has made his own life, until one lonely night after a storm, she finds a nest on the ground of her garden with a small egg that gives signs of life, and when she rescues him she puts aside her monotony to take care of him as if she were his mother.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

An experimental musical period drama about the witchhunts in 1595 in the south of the Netherlands. The film depicts the last days of the life of the young woman Heylken.

Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?

They raised children, baked cakes... and built world-class fighter planes. Sixty years ago, thousands of women from Thunder Bay and the Prairies donned trousers, packed lunch pails and took up rivet guns to participate in the greatest industrial war effort in Canadian history. Like many other factories across the country from 1939 to 1945, the shop floor at Fort William's Canadian Car and Foundry was transformed from an all-male workforce to one with forty percent female workers.

The Sahrawi women relate their exil, the tortures, their memories and the difficulties of life as refugees. They are beautiful, touching... Educated by the Polisario Front and attached to the values of islam, they are widows, divorcede or married to fighting men. Owing to the force of circumstances, they have built a society of independant muslim women...