Your Silence Became My Revenge

Madreselva

Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?

A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.

This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

When a young man goes to a brothel to lose his virginity, he finds wisdom in a courtesan.

Johanna, the hostess of the parish house, does her utmost to ensure that everything goes according to plan. There is no room for error. The last thing Johanna needs is a busload of uninvited guests knocking on the door of the parish house on the eve of an important wedding. However, a passing Russian party has had its car broken down and Johanna soon finds herself accommodating the party at the parish house. Johanna's brother is tasked with fixing the car to get the guests on the road and out of the way quickly. Her brother's entrepreneurial friend, on the other hand, sees great opportunities in the situation and decides to act. The clock ticks, the car won't start, the wedding ceremony is about to begin and the recipe for disaster is in motion.

When a journalist is assigned to profile a businessman, she discovers that he has a story that is related to her haunted past.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Alexandra and Timofeya have a serious problem. A woman lies dead on the living room floor. When they discover that she is Eva and Sveta Kalaschnikova’s wife (the local Russian Mafia boss), and that Alex has been having an affair with Eva, the possibility of three dead women becomes a reality.

Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.

Nipple War 3

Madi is a junior doctor who desperately needs a break. Her partner, Dana, takes her on a getaway with her friend group. Will Madi finally get the Low Stress Day she desires?

On the final night of summer, Annie is confronted by a relentless stalker—the embodiment of her deepest childhood fears. When her friends dismiss her concerns, Annie must contend with her anxieties and the unsettling truth.

The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.

A 17-year-old teenager maintains a troubled relationship with her mother due to the pressure she generates on her to lose weight, and expresses her feelings through painting.

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