Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.
Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...
Larion Dyakov is a painter, but he doesn't use paint; instead, he "paints pictures through music." He plays the viola and connects it to a chain of various effects devices to loop his phrases and alter the original sound of his classical instrument. The result is a mixture of classical and modern ambient music that can transport you to another world and paint a new picture in your mind's eye, if you let it.
A portrait of inspirational jazz drummer and teacher Art Blakey with Dizzy Gillespie, many pupils including Wayne Shorter, the Marsalis brothers, and a surprising new generation of musicians and dancers.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
Clark Terry has been described as 'possessor of the happiest sound in jazz'. A veteran of Duke Ellington's orchestra, he began to perform as a soloist in the sixties and established a reputation as one of the great teachers of jazz music, which continues to the present day. In this performance from 1977, he is joined by an all star band including Oscar Peterson, Ronnie Scott, Niels Pedersen, Joe Pass, Bobby Durnham and Milt Jackson.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
In early July of 2012, Scofield released, after ten years of record pause of ensemble Uberjam, a new and long-awaited album called Uberjam Deux...
An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.
Brüder Kühn: Zwei Musiker spielen sich frei
American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.
The concert held at the ZDF JazzClub in Stuttgart in 1988 was played by Oscar Peterson together with the drummer Kenny Drew and the double bass player Dave Young. Their collaboration had begun in 1974. For Drew, who was British, it lasted until 2004, while the Canadian Young was a regular member of Peterson's trio for 25 years. Jazz classics, including a medley with five compositions from Duke Ellington's repertoire, form the core of the concert.
In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
LIVE IN EUROPE 1969 lives up to the Miles Davis Bootleg Series mission of presenting live performances that are previously unreleased, have previously only been bootlegged, or are very rare. This new set is the first collection of Miles's Third Great Quintet, the "Lost" Band of 1968-1970 with Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette at their peak (they were never recorded in the studio). The album captures the short-lived quintet in three separate concert settings, starting with two full-length (one hour-plus) sets at the Antibes Jazz Festival in France, in Stockholm as part of "The Newport Jazz Festival In Europe," and completed with a stunning 46-minute performance at the Berlin Philharmonie, filmed in color. Recorded 11/7/69 at Berliner Jazztage in the Berlin Philharmonie 1. Introduction by John O Brien-Docker 2. Directions 3. Bitches Brew 4. It s About That Time 5. I Fall In Love Too Easily 6. Sanctuary 7. The Theme
Saxophone player Charlie ‘Bird’ Parker comes to New York in 1940 and is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.