An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.
A documentary on the last remaining Blockbuster Video in Bend, Oregon.
A celebration of the life and career of one of America's most influential and celebrated filmmakers and comedians—Buster Keaton—whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary.
They created and performed the iconic action sequences of 007, Indiana Jones, Superman, Rambo, Star Wars, Conan, the Alien films and pretty much everything since. They crashed cars, jumped from burning buildings, shot, stabbed, kicked and punched their way into cinema history. This is the first feature documentary to unite the legendary community of stuntmen in telling their story and, as you'll see, there's life in the old dogs yet.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.
Documentary detailing the extensive number of shots long lost from constant film re-cutting of 1925's great silent cinema classic Battleship Potemkin in the last 80 years, and how many of those shots have been returned.
An homage to Italian director Sergio Corbucci of the 1960s and contemporary director Quentin Tarantino, recounting a memorable period in Italian cinema with the sensibility of today.
THE BANDIT is a film about 70s superstar Burt Reynolds, his best friend, roommate and stunt-double Hal Needham, and the making of their unlikely smash-hit SMOKEY & THE BANDIT. The film tells the action-packed story of the making of SMOKEY, while tracing the vivid personal journeys of Reynolds and Needham from obscurity to stardom and highlighting one of the most extraordinary relationships in Hollywood history. Featuring new interviews with Reynolds, rare archive material, including footage from Reynolds’ personal archive, as well as candid interviews with the late Hal Needham, the documentary tells an exhilarating and moving story about loyalty, friendship and creative risk.
The history of Frankenstein's journey from novel to stage to screen to icon.
The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.
A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.
This is the first feature-length documentary on legendary director Raoul Walsh. In this 'memoir,' Walsh 'recounts' his career from the silent film era to the tumultuous 1960s. The documentary makes stunning use of rare, personal and production photos and footage, revealing Walsh's extraordinary, adventurous life on and off the set. From his apprenticeship with D.W. Griffith to his discovery of John Wayne and Rock Hudson, from the innovative 'The Thief of Bagdad' (1924) to the widescreen 'The Big Trail' (1930), from his classic work with Cagney, Bogart and Flynn to his mastery of every genre (musicals, comedies, Westerns, gangster, war), Walsh made Hollywood history. His life is nothing less than the story of Hollywood itself. Here's a full-bodied account of one of Hollywood's greatest legends.
The history of the comic book superhero, Superman, in his various media incarnations.
As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.
At 18 hours and 43 minutes long, 'The Complete Story of Film' collects two epic documentaries by Mark Cousins into a stunningly expansive global journey through film history from the birth of cinema to today. The Story of Film: An Odyssey is an inclusive and ground-breaking journey through the history of world cinema and a treat for movie lovers around the globe. Guided by filmmaker and historian Mark Cousins, this wonderfully insightful 15-hour love letter to the movies begins with the invention of motion pictures at the end of the 19th century, continuing through the entire 20th century of moviemaking and concluding with the globalized digital industry of the 21st. In The Story of Film: A New Generation, Cousins picks up where Odyssey left off, returning with a new epic and hopeful tale of modern cinematic innovation in the new millennium, exploring how movies and moviegoing have evolved and will continue to transform to our collective joy and wonder.
A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.
A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.
An oral history exploring the development of film projection and cinema in Kingston-on-Thames - from resident innovator Eadweard Muybridge through the heyday, decline, and re-emergence of cinema. Features interviews with historians, projectionists and usherettes as well as cinema-goers with rare footage and images from Kingston’s cinemas.