Lendas Brasileiras
Jesus, who's hitting the big 3-0, brings a surprise guest to meet the family. A Christmas special so wrong it must be from comedians Porta dos Fundos.
After hearing about a Brazilian folklore party at the neighborhood school, Fernando, an 8-year-old child, decides to go dressed as Curupira, with a skirt and everything, and suggests it to his grandfather, Mr. Lino, 70 years old. The dynamics between grandfather and grandson begin to be affected as Lino perceives Fernando to be a different child. Through subtleties in the dialogues and the silence, social conventions and the responsibility of being the guardian-protector of something precious, the film evokes conceptions of the masculine within a queer childhood.
Dos Galhos Prateados
The unlucky in love writer Bandaged searches for a moral of the story that explains why his romantic experiences never end in "happily ever after." The conflict worsens when... Ops, better not give any spoilers!
Camila is a bored young woman. She begins to romanticize her life... until she realizes that there is something supernatural in this fantasy.
AGARRA
Amadeu
A Lenda de CãodeMiro
In an apocalyptic setting, the Matriarch’s family debates Cami’s rebellious behavior, when the deserter Eva returns home.
What is the true meaning of the art?
"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
Ergui as Mãos aos Céus e Não Havia Mais Luz
A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.
One day, Renato and Adriano decide not to work. They walk through the streets of Capão, while a film crew steals some shots.
A never-seen-before show in this special one-night only concert event, live from São Paulo.
Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.
Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.
Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?
Sociedade do Caos