A film buff's obsession with an elusive, possibly nonexistent film spirals into a dangerous descent, blurring the line between reality and madness.
In a small mining community in Northern Sweden, a group of youngsters about to take the leap in the adult age fight with themselves and the world around, while the ground literally trembles under their feet.
In Philadelphia for the weekend, Tessa and Ben, a couple on the rocks, rent a room in the apartment of Adam, a reclusive stranger who quickly becomes an unwilling voyeur to the most private parts of the couple’s life. Tensions rise as the three enter an intimate battle to gain and reclaim territory.
A bored newspaper editor tries to make life more interesting through the brief human connection he finds at speed dating.
Karl, a 17-year-old boy who spends most of his time collecting pictures and videos for his blog, finds a new purpose when he falls in love with his fellow student Doro.
As the balance of the world turns upside down for the Anishinabek people, the elder Naamowin builds a healing drum to save his grandson and his people
This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.
A sad Arabian queen is cheered by her attendants, a Queen Bee rules over a hive of adoring drones, and a teenage girl is transformed into a queen in a colorful musical fantasy inspired by old Hollywood musicals.
Alice steps out of her comfort zone to share a spontaneous moment with her teammate.
Lou Andreas-Salomé, the woman who enraptured 19th century Europe’s greatest minds, recounts her life to Ernst Pfeiffer in this German film directed by Cordula Kablitz-Post. A published novelist, poet and essayist, Salomé’s desire to live a life free from convention scandalized society but spurred genius and passion in others, including Friedrich Nietzsche, Paul Rée and her lover, the poet Rainer Maria Rilke. Under the tutelage of Sigmund Freud, she became the first female psychoanalyst.
In Dublin’s industrial wastelands, pre-teen Kylie drives around in a stolen car, indulging her troubled imagination. Her grieving mother is distant and unaware until a young Guard apprehends and brings her home. He is lenient in his caution, acknowledging the family has been through a difficult time.
On vacation at a remote house by the sea a family is faced with a disturbing reality, when lost memories urge to the surface and slowly fades out, what seemed safe once - as well as the past can't be washed away.
Kinder ohne Gnade
In the timeless world of fairy tales, villains and victims are visited by a vengeful fairy who offers to shift the balance of power.
Now and Ever
Anna: Under the Spell of Evil
Lady Bird McPherson, a strong willed, deeply opinionated, artistic 17 year old comes of age in Sacramento. Her relationship with her mother and her upbringing are questioned and tested as she plans to head off to college.
In the hospital where she works in Brest, France, a lung specialist discovers a direct link between suspicious deaths and state-approved medicine. She fights single-handedly for the truth to come out.
Two lovers are separated but in a twist of fate, find themselves in a care of a syndicate leader. He is the bodyguard and she is the wife.
The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.