Ajmer

Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.

Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.

A Dream Trip Across India Some kilometers from Bombay, the Indian megalopolis, lost on a hill of Bollywood, is the grandiose set of a vast temple with a magical touch, reminiscent at the same time of an Indian shrine and an ancient Inca temple. Inside, Ten Ford Mustangs are waiting. Ten Ford Mustang with an incredible pedigree: Bullitt GT390, Shelby GT500, Shelby GT500 KR 1968... the deep sound of a gong resounds, the doors of the templeopen launching the first edition of the Maharajah of the Road. At the wheel of the ten Ford Mustang, passionate people coming from all over the world: Indian, French, American, Italian, Lebanese... they are business men, automobile designers, manufacturers, artists… From Mumbai to Jodhpur, a 2.000 kilometres tour will lead our Mustangs through India. From the Rats Temple in Deshnoke city to the thousand-and-one palaces, the two princesses will show the Rajasthan to the adventurers of the road in an eventful trip...

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

A short prior to World War I film which captures festivities at a fair near a church in Bitola.

In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.

Film showing the Viceregal party entering Delhi on lavishly decorated elephants, as part of the Coronation durbar of 1903.

RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love. These men and women have found meaning and purpose in their shared mission to care for neglected street dogs, who have existed in the towns and villages of India for thousands of years. For some this mission is enough, for others, dreams of a better life are always near.

Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.

The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.

Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.

After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

Life on the road in India, showing the traffic, people and animals.

Hindu temples at Benares and Belur and the mythologies associated with them.