Grenzwert

Hygienic habits are as old as the various human civilizations; but each era establishes its own customs: whether private or public, everywhere and at all times, methods of personal cleanliness have depended on cultural conventions, religious morals, political ideologies and economic interests; because the control of basic hygiene has also been and is one more tool in the infinite exercise of power over the masses.

Short film about Hitler's rise to power in 1933

Short 18 minute film about QM and her last Transatlantic voyage from New York to Southampton. Joan Crawford makes an appearance and also narrates the first part of the film.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

A teenager's quest for a new look leads to a new personality. Music by Suicide, The Andrew Sisters, James White & The Blacks, Los Microwaves.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.

Short film directed by Walter Knoop

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.

An ex mobster reflects on love and loss after spending 32 years in prison.

East German short film

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

"Legion of the Black" tells the visual story of the Black Veil Brides album "Wretched and Divine: The Story of the Wild Ones." The film follows a group of rebels known as "The Wild Ones" as they defend their hearts, minds and bodies against F.E.A.R., a futuristic new world order determined to capture and imprison the rebellious clan living in a survivalist desert camp.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.