Jabal

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?

Hasan Everywhere is an animation which broaches the subtlety of a relationship between a man and a woman who bear the passports of enemies, to sympathetically deal with the subjects of death, grief, lost opportunity; but mostly it seeks to demonstrate the possibility of friendship triumphing over the deepest of rifts between two people. In that regard it is most unusual among the standard fare of animated shorts.

14-year-old Zain, a Palestinian swimming champion, faces war and man-made famine. He becomes the sole caregiver to his little brother. When aid drops into the sea, desperate for food, Zain is forced to swim - not for passion, but for survival.

In 1917 when the British forces are bogged down in front of the Turkish and German lines in Palestine they rely on the Australian light horse regiment to break the deadlock.

After a run-in with his estranged father, aspiring writer Ashish or "Ash" learns a secret that will force him to balance family, love and success while navigating the divide between the exciting city life he wants and his suburban reality.

“King” delves into the intimate realm of men’s mental health through a poignant exchange between a young man and his barber in a vibrant Dominican barbershop. Through candid conversations and mutual support, the film explores the complexities of masculinity, identity, and emotional well-being within the context of a culturally rich community. “King” offers a compelling portrayal of the power of dialogue and fellowship in navigating the challenges of modern life.

Born in Brooklyn to Palestinian refugee parents, Soraya decides to journey to the country of her ancestry when she discovers that her grandfather's savings have been frozen in a Jaffa bank account since his 1948 exile. However, she soon finds that her simple plan is a complicated undertaking — one that takes her further from her comfort zone than she'd imagined.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

Ming often talks with the dolls, he meets a young lady who is going to leave Hong Kong. The young lady is determined to get a doll, Ming has decided to help her but failed.

Gong is a Chinese immigrant who throughout his life has faced difficulties assimilating into Thai society, yet he is regarded by people around him to have knowledge regarding the meaning of life. Yok, his grandson, lives with Gong and witnesses life through the eyes of a third generation Thai-Chinese

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Two childhood friends are recruited for a suicide bombing in Tel Aviv.

Samir, 43, is the owner of a shoe shop in Ramallah who has never seen the sea. He decides to sneak past Israeli borders with other Palestinian construction workers to fulfill his dream of seeing the sea.

Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.

Lin, a migrant female worker from Cambodia, and Yeon-hee, a Korean, are friends who work together at a factory at night. One day, the two will go to the sea together for the weekend. However, the factory manager only forces Lin to work overtime on the weekend, while Lin finds out that Yeon-hee is leaving Korea for Australia soon.

After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

Chronicling the last few months in the first year of the Palestinian Genocide, a woman in Palestine forms a friendship with a man in America who she reaches out to for help. Contrasting the harrowing details of daily life in Gaza against unshaken life in America, even small gestures by small people can go a long way.