A tape is found holding footage of a group of teenagers who, 40 years prior, explored a not so abandoned house.
A duo of guys capture and brutally torture a young girl to the point of piercing her retina.
When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget.
A world-weary corporate drone experiences an overload of terrifying proportions.
To save the life of her dying son, Liz must venture to the desolate surface and face the monsters that drove mankind below.
The harrowing story of a disturbed young man's attempts to win the affections of an unsuspecting young woman. When Doug first sees Amy, he instantly falls for her and begins to watch her every move, going so far as to set up spy cameras in her apartment. However, as his fascination grows into obsession he's no longer satisfied with just watching.
An overworked and arrogant lawyer describes the terrifying incident he has just experienced on his drive home from the office... but his night may not be over yet.
No one is welcomed in the world of a little girl and a man until a stranger rings the doorbell. As astonishing things happen right in the face, the girl freaks out.
There's a hobo on the loose in Manhatten and ... he has a high kick.
A tragedy strikes the family of widow Svetlana and her two sons, Jan and Maxmilián. The villagers believe that the hated nobles surrounded by myths and superstitions - Madam and Sir De Blois - are responsible for it.
Noir comme neige
Psychedelic Hanna-Barbera anti-drug PSA, ca. 1970. Created by Art Babbitt - he'd developed Goofy during his time at Disney.
Filmed only a few months after Tatsumi Hijikata’s first explosive public butoh performance, “Gisei” features Hijikata and members of his Asbestos Hall Troupe in a brutal allegory of a closed society. Shot by noted Japanese film scholar Donald Richie, “Gisei” still conveys the shock that Japanese audiences in 1959 must have felt at the birth of Hijikata's ankoku butoh, or "dance of darkness". Richie met Hijikata through mutual friend Yukio Mishima. They decided to collaborate on a film about segregation. Richie memorialized the film in his diary: “It is more than ever about the death of an individual, a distinct kind of human sacrifice.”
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
An undertaker digs up an abandoned grave to get wood to build a coffin for the savior of his village, but in doing so, he awakens the ghost of an ancient swordsman, and the ghost wants his coffin back.
Two kids go hunting for ghosts to help their dad run a burger cafe. An epic sequel to Hardcastle's "T is For Toilet" segment of the horror anthology film "The ABCs of Death", it takes place 12 years after the accident.
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
A guy in a bone-white mask kills a bunch of teenagers.