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A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

In the great Disney tradition of wild family fun, a young Kurt Russell stars as Steven Post - an ambitious mailroom clerk at a second-rate TV network. With his eye on the boardroom, and getting nowhere with the studio's top dog, he makes a career-changing discovery. His girlfriend's lovable pet chimp can pick a hit show every time! His secret for success turns into a madcap monkey business when he makes vice president and jealous rivals want in on the act. Ride along with narrow escapes and a classic cast featuring Joe Flynn and Harry Morgan in a comedic climb up the corporate ladder that will leave you howling for more!

A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.

A campy look at the making of the 1964-67 TV series, as told by stars Bob Denver, Dawn Wells and Russell Johnson, as well as in flashbacks (actors play the castaways). Bob/Gilligan: Jon Wellner. Dawn/Mary Ann: Samantha Harris. Tina/Ginger: Kristen Dalton. Alan/Skipper: Eric Allan Kramer. Russell/Professor: Michael Wiseman. Jim/Mr. Howell: Steve Vinovich. Natalie/Mrs. Howell: E.J. Peaker. Sherwood Schwartz: Aaron Lustig.

Ingrid and Martha were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.

A documentary of absurdist humor that delves into the immaturity of Witold Gombrowicz, the controversial Polish writer who lived in Argentina and wrote the first existentialist novel.

A playful engagement with memory and moving images, employing experimental visuals, voice journals, and staged dialogs.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"

After an abortion, a woman roams the streets, engaging in a sequence of understated encounters bathed in the glow of neon lights.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

Bombshell is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.

An ambitious TV newscaster has an affair with the wife of a network executive to get a promotion.

"After a period in intensive care, Britney sets out on a road trip where time becomes entangled. Along the journey, she seeks to understand her relationship with people, with affection, and with her own body."

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

On February 6, 2023, an earthquake on the border of Turkey and Syria claims more than 55,000 lives. On this day, I am in an oncology center, 6 days since having my tumor removed, and in the afternoon my partner ends our relationships. Blending memory and theory, this autofiction documentary unfolds the relationships between love(s) and catastrophes.

ROTA

Rosa dos Ventos

Between notes and photographs from a baby album, this short film investigates what lies outside the frame. Starting from the director's mother's written records and childhood images in which her presence appears only in fragments — a hand holding, an arm supporting, a shadow on the edge — the film proposes a reflection on absence and the traces left in the visual narratives of family life. By weaving together facts and fabrication, the work reveals how family albums function not only as repositories of memory, but also as coming-of-age stories, full of choices, silences, and inventions. Between delicacy and humor, the film questions who appears and who is erased in these stories, exploring the invisibility of care work and its discreet permanence in the materiality of photography.

A therapist at a Berlin university navigates delicate emotional terrain as she provides solace to a grieving student grappling with the suicide of a trans woman on campus.

Strange images hide in my mother's photo album, snapshots of her youth in Russia inside a colorful yoga group. Today, she devotes herself to other cults, all of which bring their share of propaganda, rites, gurus, and of course sacrifices. I play her role, to understand or to exorcise.