After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
This documentary portrays the way in which attacks against a twisted concept of “gender ideology” in four countries are being used to gain political power by right-wing conservative politicians supported by conservatives in the Catholic and evangelical churches.
The extraordinary story of the 1971 Women’s World Cup, which was held in Mexico City and witnessed by more than 100,000 fans. This landmark tournament was dismissed by FIFA and written out of sports history – until now, with dazzling archival footage and interviews with the former players.
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures
Just Like the Men is an original silent film written in 1914 by Ella Higginson, a novelist, poet laureate, and campaign manager for Frances Axtell. Their campaign was a success making Axtell one of the first women in Washington State to be sworn into legislative office. 100+ years later, this screwball-comedy offers a glimpse of women's first entrance into politics, just in time for the 2020 centennial of women's suffrage.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
A group of women and non-binary journalists, bucking the white male status quo, launch The 19th*—a digital news startup that asks who has been omitted from mainstream coverage and how they can be included.
Focusing on five of them, this documentary pays tribute to the wealthy women who, under the Ancien Régime, promoted scholars and artists, and paved the way for female emancipation through their intellectual independence.
The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
Terrified of stories of girls bleeding to death, young Tanzanian children face a terrible choice: whether to submit to female genital mutilation and child marriage, or risk their lives and run away from home. Rhobi Samwelly, a brave local hero, stands up to her community and provides a Safe House to protect the courageous girls. Although female genital mutilation (FGM) is harmful and illegal, in Northern Tanzania it is widely believed that girls' clitorises must be cut off to reduce promiscuity. Mutilated girls also demand twice the bride price as uncut girls. The chillingly named 'cutting season' runs through the school holidays in December. Now, some of the most courageous girls in the world, some as young as eight, are leaving everyone they love behind to run to a Safe House, not knowing if they'll ever see their families again.
"Not Done: Women Remaking America" chronicles the seismic eruption of women's organizing from the 2016 election through today, and the intersectional fight for equality that has now gone mainstream. Like the movement it documents, this story is told collectively: through the firsthand experiences and narratives of frontline activists, writers, celebrities, artists, and politicians who are remaking culture, policy, and most radically, our notions about gender. Premiering against the backdrop of an unprecedented pandemic and widespread social upheaval, "Not Done" shines a light on the next generation of feminists who are unafraid to take on complex problems and are leading the way to true equality.
A la Deriva
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.
In an era of antifeminist backlash, this articulate documentary by the makers of Thank God I’m a Lesbian forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. Anessential component of women’s studies curricula, My Feminism introduces feminism’s key themeswhile exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.
A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.