Communities Depend On Each Other

Tímamót, or Changes in English. An upbeat, heartwarming story about Gudjon, Sigurbjorn and Steinthor who lived together for decades along with several other inhabitants in the Tjaldanes Institution, in a peaceful valley close to Reykjavik. When a decision is made to close down the institution, their life takes an unexpected turn and they discover a new side to life and to themselves.

Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet. This case exposes the scandal of chemical submission, a practice where attackers, generally close to the victims, use prescription or over-the-counter medications to commit their crimes. This phenomenon, far from being marginal, affects victims with varied profiles...

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

Milana, Sephora, and Mario are between seventeen and twenty-six years old. They grew up in modest, stigmatized rural Manouche families. Unlike their parents, they have degrees and work as employees. They have dreams to fulfill.

Lorsque le soleil se lèvera à l'ouest

Inceste, le dire et l'entendre

Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.

Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.

The film explores the potential for automation in every sector of employment and questions the integrity of our methods of resource distribution going into the future.

Disobedience tells the David vs. Goliath tale of front line leaders battling for a livable world. Filmed in the Philippines, Turkey, Germany, Canada, Cambodia and the United States, it weaves together these riveting stories with insights from the most renowned voices on social justice and climate. Disobedience is personal, passionate and powerful - the stakes could not be higher, nor the mission more critical.

Fifty years after Martin Luther King delivered his “I Have a Dream” speech, a collective of African American filmmakers, artists, and intellectuals reflect on the goals and ambitions of the civil rights movement and where things stand today.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

The short reportage film depicts the situation of hard-to-recycle waste. Our guides are a local government employee and the staff of Technical Services Zlín, whom the director interviewed and filmed at work. In the local context of an East Moravian municipality, it examines the technical, economic and political aspects of the problem. In addition, there are the inevitable social issues regarding the wider sustainability of the contemporary consumer lifestyle.

Justice

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

In the narrow streets of Marikina City, where the sound of hammers once echoed endlessly, Soles of Marikina unfolds as a cinematic portrait of craft, struggle, and survival. The film follows aging shoemakers and young apprentices as they work by hand—cutting leather, shaping soles, stitching stories into every pair—while fighting to keep an industry alive in a rapidly changing world.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

Hannah, Laure, Adrien, and Halima are students at the Regional Institute of Social Work in Paris. Four students among the fifty in the first year of training to become educational support workers. They chose this profession out of commitment and vocation. Between the classroom and their field placements, they will confront their dreams and ideals with the realities on the ground, discover new sides of themselves, and begin to shape the contours of the profession they will practice—each in their own way.

Macadam Cowboy