Eins in die Presse - Der Fotograf Günter Zint

Every Sunday, Hudson returns to see his father at Parc-Extension. On his way, he meets Baki, his childhood friend. Together, they wander the streets of their neighborhood, as they did during their youth. Nostalgic, Hudson explains how the experiences he had in this neighborhood shaped his personality.

David Scarboro, who played Mark Fowler in EastEnders (1985), fell to his death at Beachy Head in 1988. Simon, his younger brother, presents this tribute, featuring David's achievements as a young actor as well as his problems.

Sulawesi, expédition au coeur de l'île mystère

See America's funniest comedy team in rare movie trailers, hilarious highlights, belly-busting bloopers, and scenes from their starring feature films, all the way from first (Buck privates) to last (Dance With Me Henry). After early success in burlesque and radio, they made their movie debut with supporting roles in One Night in the Tropics and got top billing in their very next film, becoming the nation's #1 boxoffice draw of the '40s. The Andrews Sisters, Dick Powell, Shemp Howard, Martha Raye, Ella Fitzgerald, Jimmy Dorsey, Lucille Ball and Marjorie Main co-star in films like In the Navy, Rio Rita, In Society, Little Giant, and Mexican Hayride. They also go to Hollywood and Venus (not Mars), and meet Frankenstein's Monster, Dracula, the Wolf Man, Boris Karloff, the Invisible Man, Captain Kidd, Dr Jekyll and Mr. Hyde, the Keystone Kops, and the Mummy.

1 jaar oorlog in Oekraïne met een Vlaming aan het front

Ivan, 58, is a seagull, a Bulgarian ladies’ man hooking up with female tourists at a Sunny Beach resort. He has done this for forty years, ever since the Communist times. Ivan wants to settle down, but that’s not so easy for an old Seagull. He’s got no savings and the pandemic makes things even more difficult: there are no tourists. Ivan supports himself by washing cars and windows. He tries to connect to Russian ladies to help them get visas to the EU and buy property in Bulgaria. He soon understands that he’s not really credible as a serious male companion. Ivan’s real wound is an adult son in Ukraine who refuses to talk to him. Maybe now, in spring 2022, would be the right time to reconnect.

This first-person film is a letter to my sister that I have never met, as well as an act of reconciliation with my father and the inevitability of death. Three different formats in five decades of life compose a cinematographic mosaic that walks the tightrope of the interplay between the joy of life and the contemplation of existence.

As if filling out the profile for a dating app, the director dissects his story and builds a log of desire. He converges images of his childhood in a hairdressing salon in the suburbs of Buenos Aires, the codes of cruising in the late 90s, and the daily life of the throuple he was part of for 7 years.

Documentary about the German sex industry after the German reunification.

Mikhaïl Gorbatchev, l'homme qui a changé le monde

The Truth About Reading looks at the illiteracy problem in America, highlighting people who learned to read as adults, and sharing proposed solutions for working towards a future where every child learns to read proficiently.

Johnny Legend hosts this documentary that takes a look at exploitation and juvenile delinquent movies.

This documentary retraces the life of Jacques Maritain (1882 - 1973), French Christian philosopher. In evoking his life, it paints a portrait of the 20th century: the scientism of the Sorbonne, the rise of Nazism, the Resistance, Free France, Christian Democracy in South America, but also art, freedom, peace and love for the human person. Jacques Maritain, in the torments of the 20th century, of it's murderous madness and it's hope for peace, holds a secret: his ineffable and faithful love for his wife Raïssa, the inspiration for his political commitments and his philosophical thought.

Le soir où j'ai reçu le César

An explanation of the science behind common mental illnesses that affect young people.

KK was born to Cambodia refugees in a refugee camp in Thailand during the Khmer Rouge and eventually legally emigrated with his family to Long Beach. Growing up in the projects, he joined a gang and was incarcerated. He was deported back to Cambodia--a country he had never been to. In Phnom Penh, word spread that KK was a break dancer. Kids would show up at his door asking him to teach them. He saw they were sleeping on the street, not going to school, and getting into drugs--a bad path he knew. He started teaching them and his friend Shhort, who had a similar story as KK, taught English. Now, Tiny Toones teaches 100 kids dance and other subjects each day. Most importantly, KK turned his life around to give kids like him an education and a chance.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Carmina, a 20-year-old girl, hopes to have a night like any other in the city, which unexpectedly turns into an introspective, cathartic journey into her turbulent past when she accepts an invitation from a man much older than herself to visit his apartment. This direct film experiment captures an overwhelming real-life patriarchal dynamic.

Lim Jaechun, who worked as a factory worker for 30 years and was suddenly laid off, spent 10 years in a tent as a sit-in. Director Lee Soojung calls her ‘sister J’. 10 years into the fight for reinstatement, Jaechun now writes, plays guitar, and sings while living in a tent. She says her personality has changed after 7 years of being laid-off from “originally timid” to being very lively. Sister J deals with a struggle for reinstatement, but it is actually a film about a single person, as stated in the title. This documentary brings artistic vitality to the ‘4,464 days’ Sister J spends on the site, with lines and music driven from the forms of the play into the cinema.

This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.