Mujina

A writer is persecuted by an enormous and abusive letter 'A'.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

A woman calls a man and asks him to keep her company. Manifestations of their worst fears come through the walls to attack them.

A five-minute film for The Disney-MGM Studios combining live-action and animation. Mickey Mouse recalls his first big audition and subsequent filmmaking career.

A young, unbelieving couple is being pursued by a terrifying monster. They try to hide in a church, where they meet a priest who seems friendly at first glance, but it soon becomes clear that the priest has less than honorable plans for them. They are trapped.

Experimental film, shot entirely using a pinhole lens. This is actually a piece of conceptual art, where the movie itself plays small role, but the main emphasis is on the Poster. The film was submitted to numerous film festivals (both virtual and with physical screenings) and the idea was to fill the film poster with laurels from official selections and awards.

After missing her bus, Emilia finds herself at the mercy of vampiric powers that seek to claim her soul.

Bearpuncher, a mountaineer with a monstrous curse, aims her ursine fist towards all that may threaten the safety of the Smoky Mountains. But when she discovers a destroyed lab while tracking a mysterious wildfire, she stumbles into a conflict she can’t punch her way out of.

Rebeca is keeping quiet about her feelings towards Zac, a boy in the same year as her at school. Rebeca is also hiding a secret about her adoptive parents - they are zombies.

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.

Bodney Brooks, a twelve year old master of computer controlled puppetry, decides to arrange a surprise birthday party for his Gran in an attempt to get back into his family’s good books. But, as ever in Bodney’s world, things don’t quite go to plan.

The last habitants of a village refuse to let themselves sink into oblivion.

A lonely gay man makes a choice to change his repetitive routine, with deadly consequences.

Adapted by the book by Sheldon Wasserman." Bizarrely minimal short that is essentially a series of animated, silly puns and jokes based on the shapes of numerals, intercut with psychedelic, kaleidoscopic transitions and horn-based go-go music. The look was clearly inspired by ROWAN & MARTIN'S LAUGH-IN (but maybe without the laughs).

Having despaired in his attempts at regaining his mother's attention. Gary chances upon his precious lost dog. Could motherly love be replaced by a dog's love?

A mad scientist invented a new weapon of mass destruction and offered it to the god of war. The animation was shot in the genre of political satire. The visual solution of the tape proposed by the artist Henrikh Umanskyi is reminiscent of the films of the German expressionist cinema of the 1920s, in particular the legendary film "The Cabinet of Dr. Caligari" (1920). There, too, the main character was a mad scientist, and the events unfolded in distorted scenery that emphasized the state of insanity.

Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.

A family portrait session goes horribly wrong, as secrets and jealousy bubble to the surface under the photographer's watchful gaze.

A woman is caught up with house chores after someone rings her door.

«Страшилки» Хрестинина Кирилла: №1 «Коллекторщик»