Guillaume and Simon are convinced by Emma-Rose, a girl for whom they have a crush on, to rob a convenience store. It is in a spirit of competition that they will test their limits, even if it means having to exceed them.
In 2008 and 2009, Clarissa Thieme travelled through Bosnia-Herzegovina, setting up her camera at places where war crimes took place during the nineties. Now she returns to the same locations a decade later: what traces are left behind by a violent past?
A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath in north-west London, the film investigates the minutiae of seven couples. What makes us tick?
When Juan Catalan is arrested for a murder he insists he didn't commit, he builds his case for innocence around unexpected raw footage.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
When a group of bored suburban teens experiment with a mysterious new drug, they are thrust into a nightmare world where hallucinations kill.
A work produced for the Morimura Yasumasa Exhibition at the Yokohama Museum of Art, (April 6 to June, 1996). It was shown in an old-style theater constructed within the exhibit space that featured photographs of Morimura playing famous foreign and Japanese actresses.
Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.
Max is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Eventually Max is placed in a concentration camp where he pretends to be Jewish because in the eyes of the Nazis, gays are the lowest form of human being. But it takes a relationship with an openly gay prisoner to teach Max that without the love of another, life is not worth living.
This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties, the bitter-sweet pleasures of first love and the dreadful moment when one comes down to reality and realizes that one's beloved friend has a hard way to go yet. The positive message the film tries to transmit is the somewhat common motto "Live each day of your life as if it were your last."
14 vignettes without dialogue.
A comedy film directed by Frank Richardson
The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.
Politique-ment correct
Based on a story by Stephen King, "Otto" is the story of an affected man that from a fatal incident, product of his sense of justice, leads him to develop a feel of guilt that goes from fear to resignation through different forms of human behavior.
A withdrawn mid-twenties man attends a New Year's Eve party roiling with hidden tensions and some particularly ambitious resolutions.
The Berenstain Bears Learn About Strangers When Papa Bear tells the cubs they should never talk to strangers, Sister begins to view all strangers as ominous, until Mama brings some reassuring common sense to the problem. Story and teleplay by Stan and Jan Berenstain
The journey of 3-year-old Tomy into the magical clown-world beyond his bedroom-wall and his struggle to come back in one piece.