The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.
As the resistance group takes more risks during its operations, Johan discovers there is a traitor among them. Meanwhile, the British are preparing a rescue operation that ultimately went horribly wrong on the morning of March 3, 1945.
Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is appalled to discover that a poison gas he helped discover is being used to kill Jews. Driven by his conscience to alert the rest of the world, Gerstein teams up with a young Jesuit priest, Riccardo Fontana, but their protestations fall on deaf ears in the Vatican.
A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.
The story of Auschwitz's twelfth Sonderkommando — one of the thirteen consecutive "Special Squads" of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of assisting in the extermination of fellow Jews in exchange for a few more months of life.
An account of the life and work of the Polish writer Stanisław Lem (1921-2006), a key figure in science fiction literature involved in mysteries and paradoxes that need to be enlightened.
The true story of Charlotte Salomon, a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. When anti-Semitic policies inspire violent mobs, she escapes to the safety of the South of France. There she begins to paint again, and finds new love. But her work is interrupted, this time by a family tragedy that reveals an even darker secret. Believing that only an extraordinary act will save her, she embarks on the monumental adventure of painting her life story.
Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan's relationship increasingly unravels as Stingo grows closer to Sophie and Nathan's fragile mental state becomes ever more apparent.
The fate of a Hungarian Jewish family throughout the 20th century.
The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.
Eva Mozes Kor, who survived Josef Mengele's cruel twin experiments in the Auschwitz concentration camp, shocks other Holocaust survivors when she decides to forgive the perpetrators as a way of self-healing.
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
The story of Jewish counterfeiter Salomon Sorowitsch, who was coerced into assisting the Nazi operation of the Sachsenhausen concentration camp during World War II.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".
Let's keep it is a cinema documentary (99') about the still problematic attitude of the Republic of Austria towards the restitution of "aryanized" real estate which - for whatever reason - became the property of Austria after 1945. The film is also the director's bow to the victims of the darkest chapter of Austria's recent history. A chapter that seems to have been extended to a certain extent when it comes to restitution of looted property to the descendants of Holocaust victims.