Karajan: New Year's Eve Concert

Ayumi Hamasaki's annual New Years Countdown held at Yoyogi National Stadium 1st Gymnasium on December 31st, 2022.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2000 concert was conducted by Claudio Abbado and featured Andrea Rost (soprano), Alan Titus (baritone), Ramón Vargas (tenor), and the Prague Radio Choir. On the programme: Giuseppe Verdi: Un ballo in maschera (Excerpts), Don Carlos (Excerpts), Rigoletto (Excerpts), La Traviata (Excerpts), Falstaff (Excerpts), Johann Strauss: Maskenfest – Quadrille.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2001 concert was conducted by Daniel Barenboim. On the programme: Bach: Orchestra Suite in D major, Mozart: Divertimento K. 334, Menuett; Rondo for Piano and Orchestra, K. 382, Verdi: “Aida” (Excerpts), Dvorák: Slavonic Dance, Tchaikovsky: “The Nutcracker”, Waltz of the Flowers, Sibelius: Valse Triste, Strauss: Kaiserwalzer, Op. 437, Kodály: Dances of Galanta, Strauss: Unter Donner und Blitz, Op. 324, José Carli: El firulete, Brahms: Hungarian Dance No. 1.

Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.

Ayumi Hamasaki Countdown Live 2004-2005 A is a music DVD of Japanese singer Ayumi Hamasaki's (浜崎あゆみ) live New Years concert.

Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1977 concert was conducted by Herbert von Karajan and featured Ludwig van Beethoven's Symphony No. 9 and the Chor der Deutschen Oper Berlin.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1996 concert was conducted by Claudio Abbado and featured Maxim Vengerov (violin) and the Swedish Radio Choir performing: Johannes Brahms: Hungarian Dance No. 1, 5, 7, 17, 10 & 21, Johannes Brahms: Gipsy Songs, Op. 103, Maurice Ravel: Tzigane, Johannes Brahms: "Es tönt ein voller Harfenklang", Johannes Brahms: Liebeslieder-Walzer, Op. 52, Maurice Ravel: La Valse, Hector Berlioz: Hungarian March.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1997 concert was conducted by Claudio Abbado and featured Roberto Alagna (tenor), Anne Sofie von Otter (mezzosoprano), Bryn Terfel (baritone), Gil Shaham (violin), Mikhail Petnev (piano) performing: Georges Bizet: Carmen (Excerpts), Sergej Rachmaninov: Rhapsody on a theme of Paganini, Pablo de Sarasate: Carmen Fantasy, Op. 25, Maurice Ravel: Rhapsody Espagnole, Manuel de Falla: El Amor Brujo - Ritual Fire Dance, Johannes Brahms: Hungarian Dance No. 5.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1998 concert was conducted by Claudio Abbado and featured Marcelo Álvarez (tenor), Mirella Freni (soprano), Simon Keenlyside (baritone), Christine Schäfer (soprano) performing: Wolfgang Amadeus Mozart: Le nozze di Figaro (Excerpts), Wolfgang Amadeus Mozart: Don Giovanni (Excerpts), Georges Bizet: L'Arlésienne (Excerpts), Gioachino Rossini: La gazza ladra: Overture, Giuseppe Verdi: Rigoletto (Excerpts), Giuseppe Verdi: Un ballo in maschera (Excerpts), Hector Berlioz: Le Carnaval Romain, Piotr Ilyich Tchaikovsky: Eugene Onegin (Excerpts), Giuseppe Verdi: La Traviata (Excerpts).

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1999 concert was conducted by Claudio Abbado and featured Klaus Maria Brandauer, Rias Kammerchor, and Rundfunkchor Berlin. On the programme: Ludwig van Beethoven: Symphony No. 7 in A major, op. 92, Allegro con brio, Antonín Dvořák: Symphony No. 8 in G major, op. 88, Allegro ma non troppo, Gustav Mahler: Symphony No. 5, Rondo, Finale, Igor Stravinsky: Firebird (parts), Maurice Ravel: Daphnis et Chloé, Danse générale, Sergei Prokofiev: Alexander Nevsky, op. 78, Alexander's entry into Pskov, Arnold Schönberg: Gurre-Lieder (Excerpts), Paul Lincke: Folies Bergères, March, Paul Lincke: Brandbrief-Galopp, Otto Nicolai: The Merry Wives Of Windsor Overture, Walter Kollo: Solang noch unter'n Linden.

Made for New Year's Eve program, "Two Hours of Quality Program" exceeded all expectations becoming more than just a small TV movie. Using black humor as its sharp weapon, it dealt with ongoing chaos in the country and the introduction of new values to the urban culture.

Berlin welcomes the new millennium with the largest lighting event in the world and a captivating live concert by superstar Mike Oldfield. At the Siegessaule Square on December 31, 1999, Mike Oldfield plays Moonlight Shadow and the complete Millennium Bell.

The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.

Sam Ryder is joined by fellow music stars to put on a spectacular New Year’s Eve party.

Kaj, Lennart and Robert are 30-somethings who go out to dance every weekend. At one dance they meet Inger, whom Kaj falls in love with. Kaj has some friends who are playing in a band. The drummer Tommy is known for being the local Casanova, seducing women when ever he gets the chance. It doesn't take him long to have an affair with Inger, behind Kaj's back.

Concert film featuring Sakamoto Maaya's final performance from her Mitsubachi tour held on New Year's Eve, December 31, 2012 at Nakano Sunplaza.

A triumph of remembrance, wrote Die Welt following this stirring concert given by the Berliner Philharmoniker under Seiji Ozawa and with Anne-Sophie Mutter as soloist. It left its audience hovering between hushed reverence and deafening exultation. The Golden Hall of Vienna's Musikverein was the dazzling venue for the live recording of this concert celebrating the 100th birthday of Herbert von Karajan. And there Karajan s Berliner never sounded better, evoking a time which selfconfidently sought the private and subjective in music, and believed it could find them in the mirror of the works (Frankfurter Allgemeine Zeitung). It is a concert that commemorates Herbert von Karajan for the ages in a supremely moving manner. Beethoven: Violin Concerto, Tchaikovsky: Symphony No. 6, Bach: Sarabande,br. Seiji Ozawa, Anne-Sophie Mutter

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