RAYE: Live at the Royal Albert Hall

British superstar composer Andrew Lloyd Webber is feted in this 50th birthday benefit gala produced by Lloyd Webber's own theatrical company at London's historic Royal Albert Hall. The tribute includes highlights from Lloyd Webber's blockbuster stage hits, including The Phantom of the Opera, Cats, Evita, and Sunset Boulevard. An eclectic performing cast filmed live during the event features Tina Arena, Michael Ball, Antonio Banderas, Boyzone, Sarah Brightman, Glenn Close, Julian Lloyd Webber, Marcus Lovett, Lottie Mayor, Dennis O'Neill, Donny Osmond, Elaine Paige, Ray Shell, Kiri Te Kanawa, and Bonnie Tyler

Five stars from the smash TV series NASHVILLE - Charles Esten, Clare Bowen, Sam Palladio, Jonathan Jackson and Chris Carmack - take the stage at London's famed Royal Albert Hall to perform in front of a frenzied crowd of European Nashies. Relive that summer night when they dazzled the crowd with personal favorites, along with songs made famous by their characters on the global hit TV series! In addition to each star having a solo spotlight, the cast team up to recreate some of the classic collaborations from the NASHVILLE TV series.

On Wednesday 29th September 2021 - the year of the band's 20th Anniversary - Kentucky's favourite sons, Black Stone Cherry, realised their childhood dream of playing at the legendary Royal Albert Hall, London. From clubs to arenas and Festival headline performances, no one puts on the kind of show that these boys do. Hit after hit - it's all killer - the rapturous crowd roar back. Black Stone Cherry was one of the first international bands to tour the UK following the Covid19 lockdown restrictions being eased, and they gave every single fan in there that night a euphoric dose of happiness.

Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.

The story of a romantic triangle between two top players, an American and a Russian, in a world chess championship, and a woman who manages one and falls in love with the other, all in the context of the Cold War struggle between the United States and the Soviet Union.

The two volumes of Bach’s The Well-Temperd Clavier together represent one of Western music’s greatest achievements. Once described as the ‘Old Testament’ of the keyboard repertoire, these two sequences of 24 Preludes and Fugues – one in every key – represent a wealth of musical invention, ingenuity and delight. A supreme technical challenge for any performer, they also offer an astonishing experience for every listener. Eminent Bach specialist Sir András Schiff, whose discography includes Bach’s complete keyboard repertoire, here performs Book I – embarking upon a cycle that he will conclude next year with Book 2.

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

The concert was captured on the tenth and final night of the 25th Meltdown Festival (curated by Robert Smith) at London’s Royal Festival Hall in June 2018. The band performed a song from each of their 13 studio albums with new, unreleased songs at the core of the set, offering a glimpse into the bands’ future.

Live at the Royal Albert Hall is a live album by Emerson, Lake & Palmer. It was recorded at a show at the Royal Albert Hall during the Black Moon tour in October 1992. Highlights of the album include a 9 minute outfreakage of "Tarkus", the song "Black Moon", and "Finale", which is a three song medley.

The Comeback Special documents The The's triumphant Royal Albert Hall Concert on 5th June 2018. The Royal Albert Hall concert was the first of a trio of London shows during The Comeback Special tour—the others taking place at Brixton Academy and The Troxy—all of which sold out within minutes of going on sale. Performing live for the first time in 16 years with a headline appearance at Denmark’s Heartland Festival a few days before the Royal Albert Hall concert, the rejuvenated The The, which featured previous members James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Matt Johnson, would go on to play sold-out shows and make festival headline appearances across the globe throughout 2018.

For nearly a decade, James Taylor's songs and personal style have expressed the changing modes and sentiments of our generation. And this is the only recording of James in concert as of 1979. It captures the charismatic and masterful Taylor in a performance highlighted by his sweet, soulful vocals, musical virtuosity, and disarmingly enchanting stage presence. Backed up by a tight, polished band comprised of a stellar cast of musicians (many of whom have played and recorded with Taylor for years) James delivers powerful renditions of his classics "Sweet Baby James;' "Carolina On My Mind;' "Blossom',' and "Steamroller:' The band features Don Grolnick on keyboards, Danny Kortchmar and Waddy Watchel on guitars, Leland Sklar on bass, David Sanborn on saxophone, and David Lasley and Arnold McCuller on back-up vocals. Superbly shot on a beautiful summer day at the Blossom Music Center in 1979.

Le Rouge et le Noir

Tó and Pedro are cyclists from rival clubs, sponsored by small, highly competitive local companies: Famel (bicycles) and Caves (wines). Their competition extends to girls. Clara, the school teacher, ends up by marrying Tó, after he suffers a nasty accident which Pedro was involved - or that may have been Pedro's fault. 1 year later, it's again competition day when Clara gives birth to a son, and a similar head-to-head race finish...

Kumara Sambhavam is based on the epic poem of the poet Kalidasa of the same name.

In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.

Quiet Riot : One Night in Milan

Islanders make arrangements for an American bandleader to marry a princess.

After learning they were duped by a con artist, two songwriters join forces with other swindled colleagues and use creative methods to promote their music.

Peter Maffay: Sonne in der Nacht

Ivy Ling Po reprising her role as Liang Shanbo to celebrate the 40th anniversary of The Love Eterne (1963).