"All -Singing All-Dancing" Before And After

In 1987, a small film distributor from Frankfurt/Main brings the film "Dirty Dancing" to West German cinemas against all negative odds. The film becomes the hit of the year, in complete contrast to France, where foreign films have a hard time against the local film landscape.

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?

The film invites you to hold your breath and let yourself be transported and transformed by water in the company of curious individuals. At nightfall, they take over a public swimming pool. These bodies of water, immersed in the aquatic mass, transgress the limits of their natural environment and undergo a metamorphosis. They then engage in a contemporary dance that reveals them in a different light. The aquatic environment makes them supple and light, but also vulnerable and combative. This poetic, enveloping, and suffocating mass unites them, separates them, and constitutes them. The film explores the transformation of human bodies when they interact with water—a fluid and adaptable medium that simultaneously offers resistance. It plunges you underwater for an immersive experience that reveals a rare and otherwise inaccessible contemporary dance.

A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.

A short film about the the story of a young woman,Desiree, reflecting on the betrayal of her significant other and her struggle through forgiveness, healing, and restoration in their relationship.

21 Gun Salute

Questione di DANZA

In 1832, a Canadian infantryman at Fort York was hanged for making love with another man. The victim's rank was private and his name was Flowers. Private Flowers is a new multimedia installation and film that explores a dark chapter of Canadian 2SLGBTQ+ history.

On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.

Two young strangers meet in Naples and begin to flirt and dance in the street.

As the only flower Yağmur has on her balcony, a peace lily starts to fade away, her friend tells Yağmur an old myth: Peace lilies cannot blossom when they are alone. Yağmur and the flower start to share the same path when they both blossom out of their loneliness.

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

Hockney talks about his 40 year love affair with photography.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Who and why shot Hungarian and German infants and young children in the head and exterminated entire families near the town of Prerov (Prerau) in Moravia on the night of June 18, 1945? Why did the bodies of the women and children killed here had to be cremated two years after this massacre - after these bodies were disinterred by army units - in the crematorium of the also Moravian city of Olomouc? Why didn't the Czech historian, who investigated the fate of the slaughtered Hungarian and German families and who also fought for the last honors to be paid to them, receive no praise or medal from Budapest? And what was the fate of the 90 Hungarian leventes handed over to the soldiers of the Slovak army by the soldiers of the Soviet army occupying Austria at Ligetfalu below Bratislava? This documentary explores the story of two hitherto unexplored mass murder in Pronov and Bratislava in the village of Bratislava.