Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.
André Rieu - New York Memories
DVD-01. The Look Of Love DVD-02. I'll Never Fall In Love Again DVD-03. Love Is Still The Answer DVD-04. A House Is Not A Home DVD-05. Stronger Than Before DVD-06. Don't Make Me Over DVD-07. This House Is Empty Now DVD-08. Walk On By DVD-09. (They Long To Be) Close To You DVD-10. Anyone Who Had A Heart DVD-11. Any Day Now DVD-12. Who'll Speak For Love DVD-13. Waiting For Charlie (To Come Home) DVD-14. Do You Know The Way To San Jose? DVD-15. This Girl's In Love DVD-16. God Give Me Strength DVD-17. Alfie DVD-18. Falling Out Of Love DVD-19. What The World Needs Now DVD-20. That's What Friends Are For DVD-21. I Say A Little Prayer
At night, in the dark recesses of the woods, a male cellist lures in viewers with a performance of Bach's "Cello Suite No. 1 in G Major." It stars Paul McCoy Drutz-Hannahs, a professional cellist with the Johns Hopkins University Orchestra.
Violinist Mischa Elman performs a set of two of the most recognizable popular classic violin pieces: "Humoresque" composed by Antonín Dvorák, and "Gavotte" by François-Joseph Gossec. He is accompanied off screen by pianist Josef Bonime, although Bonime's instrument can be seen in the background behind Elman on screen. In one continuous single shot, the stationary camera focuses in squarely on Elman as he performs the two pieces.
When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments. The performance was given in the Bach Anniversary Year 2000 – 250 years after his death – in the elegant Hall of Mirrors at Coethen Castle. The Freiburg Baroque Orchestra’s members all have virtuoso skills. They take the spotlight gracefully for solos but also play with the true ensemble spirit required by the music. Their decision to perform without a conductor revives an eighteenth century practice.
Hudební jaro
André Rieu - Live in Chile
Classical music doesn’t exactly have a reputation for being hip. For too long it’s been seen as a stuffy genre for the high cultured elite. WHAT WOULD BEETHOVEN DO? follows a number of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntablists and orchestras together. Notable artists such as, Bobby McFerrin, Benjamin Zander and Eric Whitacre add their voices to the debate about why classical music is still relevant today.
Offenbach: Barbe-Bleue
Sternstunden der Musik: Der Rosenkavalier mit Karajan in Salzburg 1960
L. van Beethoven Symfonie d moll
Gossos a l'auditori 15 anys
Revólver - Básico 1
Aladár Móži hrá husľové miniatúry
Der Jahrhundertring 1976 - Sternstunden der Musik
Debussy, Images pour orchestre
Leonard Bernstein conducts Stravinsky & Bach
Les Siècles na Pražském jaru 2022