Medea

Sunder Khanna is an orphan and lives a poor lifestyle in India. He is friendly with wealthy Gopal Verma, the only child of Judge Verma; and a wealthy girl named Radha, who is the daughter of an army Captain. The trio grow up, and Sunder falls head-over-heels in love with Radha, but she as well as her parents reject him.

Following a painful breakup, Toey decides to heal his broken heart in Higashikawa town where he meets Oat, who is on his bachelor finale trip. From stranger to friends, romance spark off between the two..

A modern retelling of the Greek myth of Phaedra. The young and fiery second wife of an extremely wealthy shipping magnate meets her estranged stepson Alexis and sparks immediately fly. Their love seems doomed from the beginning when she convinces him to come to Paris to meet his father.

An anthology film consisting of four segments based on literary works by Edogawa Ranpo.

A disillusioned Seoul woman visits a remote island to reconnect with a childhood friend, only to find her trapped in an oppressive cycle of physical, mental, and sexual abuse. As tensions escalate, the situation spirals into a harrowing tale of survival and retribution.

A modernized telling of the Greek Mythology romantic tragedy of Orpheus and Eurydice.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Kyoichi, a man with an indecisive personality, constantly cheats. That is, until his wife sends a P. I to investigate his affairs. But what will happen when the man she sent wants to fulfill his own desires?

A heartbroken 20-something reluctantly returns to his childhood home in Miami, where he's forced to reevaluate his relationships in the face of a looming hurricane.

College student Janardhan is a simpleton who desperately seeks inspiration for the musician inside him. Although heartbreak helps him reach his goal, it also leads him to self-destruction.

Taking place after alien crafts land around the world, an expert linguist is recruited by the military to determine whether they come in peace or are a threat.

After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.

A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.

Based on the legend of Tiresias, it tells of a transsexual who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future.

Two long-time internet friends - Ted, the hometown artist, and Liz, a globe-hopping humanitarian. On the night of his gallery opening, on a river that goes nowhere, they meet for the first time. Neither one knows that the other loves them.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.

Hashire Melos! is the title of two Japanese animated films. The first was directed by Tomoharu Katsumata and released on Japanese television on February 7, 1981. It was either 68 or 87 minutes long, and its official title did not include the exclamation mark on the end. The second, with the exclamation mark, was a 107-minute remake of the first and was released on July 25, 1992. It featured direction and screenplay by Masaaki Osumi, music by Kazumasa Oda, art by Hiroyuki Okiura and Satoshi Kon, and background art by Hiroshi Ohno. Both were produced by Toei Company Ltd. Visual 80, and both were based on the original short story written by Osamu Dazai in 1940.