Minoru is dead. However, he was conscious for some reason and could not hide his confusion and surprise. His body doesn't move and he has no senses, but only his ears can be heard. The voice of his son and his wife, who lived together, made him wonder if he was going to night and died in a pitiful way. Even though it was a night out, his liquor-loving boy had removed his squirrel. Her son's daughter-in-law, Maya, came to Minoru, who couldn't yell at him and was amazed. She thought she was a well-made bride and wasted on her son. It also has a sexual meaning. Eventually, I heard the voice of an unknown man, different from her son. Maya called the man "Mr. Matsuda" and began to roar beside his body, uttering a hailless voice. Minoru's desire to see opened her one eye a little. But by that time things were done.
Another satirical broadside against the thrill-seeking public, and the media that panders to them, from filmmaker Hisayasu Sato.
A typical work day begins for an excutive secretary. Wake up, get dressed, commute, make coffee, read the bosses schedule, type letters, get invited to a floating world of forbidden erotic pleasures, sleep, repeat.
A young man living in a provincial city falls in love with a stripper. Due to his innate shame, he is unable to express his feelings, and his pent-up emotions end up manifesting in the despicable form of betrayal of his friend.
A wife works two jobs to support her husband who is cheating on her.
A family drama in which popular sexy actresses Shizuka Kanno and Yuko Shiraki co-starred. The mother, who was said to be a guardian, passed away, and the three brothers and sisters fought for bones and flesh over the whereabouts of the heritage. Tetsuya Takehora, a veteran director of a pink movie known for "Junjo nurashi, Ai Seikatsu" and "Psycho Nobakayarou," picked up the megaphone.
A bored and frustrated wife meets an old lover who knows how to satisfy her pent-up passions. Unfortunately she finds out that he runs a call girl business.
On a rainy night, the lights in the windows of the apartment complex go out one by one. Chiaki Onda (Junko Miyashita) was waiting for her husband, Hajime (Akira Hanagami), who came home late tonight. Dinner is cold and the children are already asleep. A rift had already formed between Chiaki and Hajime, and sex was nothing more than a means of fulfilling Hajime's sexual desires, and there was no joy in it. An attraction to her classmate's driver awakens...
For Yamame and Suzume, two beautiful young ninjas-in-training, the prospects of a long life are shortened dramatically when they choose the wrong Samurai to relieve of his wallet. Suddenly the buxom pair find themselves caught up in a deadly game with both the life of a princess and their own at stake! But despite the overwhelming odds that face them, Yamame and Suzu have at least one trick no one's expecting inside their ninja arsenal... and they're willing to bare ALL their weapons in order to survive!
A woman who runs a bar with her older sister has her life disrupted when she has a chance meeting with an old lover.
An orphaned arsonist is interrogated by a detective, revealing his story of sexual abuse and trauma.
The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.
Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.
A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.
Yoko, Shoko, and Kyoko are three female college students. Yoko has a boyfriend named Hiroshi, but when she hears that Shoko is having an affair, she becomes anxious. She also dreams of having an affair. Yoko approaches her professor Maehara to have an affair. Kyoko ends up sleeping with Yoko's boyfriend Hiroshi by chance. And then the three of them.
Misu 20-sai Kaikan! Yuriko no Honban
Haruto is a freshman and a loner high school student until the arrival of the new teacher Aoyama. Aoyama cares for Haruto and starts to exchange letters with him, as something more grows inside both of them. But one night, an unexpected kiss ends their beautiful relationship. Three years later, Haruto has become a male prostitute in order to pay back his debts, when he reunites with Aoyama by chance.
Mizuo, a gardener, Kazeo, an apprentice, and his girlfriend, Ishio, come to the campsite on vacation. Mizuo, who likes Kazeo, grows jealous when he sees the two flirting. He went for a walk alone to distract himself from his thoughts, and was raped by a man clad in a piece of cloth who looked like an Arab. While the water man was unable to say anything about it, the stone man became the prey. Burning with anger, Ishio and Kazao decide to uncover the man's true identity. Around that time, the dream man, a former rugby player, met a woman with a single piece of cloth. Yumeo has been raped by a man in a piece of cloth, but since it happened in a moment, he wishes to meet the man again in order to find out whether it was reality or a dream. The woman starts talking about Fuo's true identity...
Dokyumento poruno: Intô shufu