Celling Out

A documentary on the making of The Amazing Spider-Man 2 (2014), featuring interviews with the cast and crew, as well as behind-the-scenes footage.

Behind the scenes look at the creation of the stage musical. Filmed in the UK, France, and the United States, it features a series of conversations with many of the show's creators including producers Cameron Mackintosh and Thomas Schumacher, composers George Stiles and Anthony Drewe, Richard Sherman (who co-wrote music and lyrics for the original film), and set and costume designer Bob Crowley. The documentary also features a roundtable discussion at Sardi's restaurant between Schumacher and actors Ashley Brown and Gavin Lee, who originated the roles of Mary Poppins and Bert in the Broadway production.

Boca Fechada

Jean Reno discusses his career and his role in the film Léon: The Professional (1994).

Natalie Portman reflects on how she was cast in the film Léon: The Professional (1994) at such a young age.

A 9-part retrospective documentary from 2009 on the trilogy’s legacy.

The year is 2000 and investors are going crazy about a new mobile phone company called Riot Entertainment. Many high profile companies, like Nokia, invest millions on this unknown firm. Two years later, when all the money has been spent and the company is bankrupt, the fun is over. What happened?

Guerrilla de la Comuniación: uno de cada diez dentistas recomienda chicles con azúcar

Jenni has an ordinary life of simple patterns revolving around family and work. Her daily routine is seemingly unremarkable yet is of great interest to someone she doesn’t know—but who knows everything about her. Harvest is a thrilling and inventive depiction of the hidden value in mundane routines.

A half-hour documentary about the history of Rod Serling's The Loner. Produced for the Shout! Factory DVD release of the complete series.

The cast and crew reflect back on the making of the film Léon - The Professional (1994). A series of interviews with people in different places, all of them involved in the film.

A candid look at rehearsal footage in support of a focus on pre-viz.

Welcome to the behind-the-scenes journey of "Comanche," the true story of the only U.S. survivor of The Battle of Little Big Horn. This captivating documentary delves deep into the making of the film directed by Burt Kennedy.

The morning of September 11, 2001 is shown through multiple video cameras in and around New York City, from the moment the first WTC tower is hit until after both towers collapse.

In this brand new featurette, directors Guillermo del Toro (The Devil's Backbone), Robert Rodriguez (From Dusk Till Dawn), and Frank Darabont (The Shawshank Redemption) explain what makes Night of the Living Dead a very special film and discuss its lasting impact on the horror genre. The featurette was produced exclusively for Criterion in 2017.

A question-and-answer session featuring the director, producer, and stars of the indie comedy hit "Clerks".

Film noir expert Eddie Muller and others discuss the classic film Trapped.

Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.

Behind-the-scenes documentary about the making of director Steven Spielberg's 1997 film "The Lost World."

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.