Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.
When his older boyfriend loses interest in him, the filmmaker relocates to Chicago and uses dating apps to cast new lovers in an amorphous project that his mother hates.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteorological.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
When Andra, a diagnosed psychopath, receives a love letter from Sadie, an undiagnosed love addict, her natural state is shaken as she confronts the dull prospect of romance.
Camila, a young aspiring and struggling illustrator, meets Madison, a teenage girl, when Camila is hired by Madison’s (very) wealthy family as her tutor. Unlike Camila, Madison is confident, popular, and has never experienced rejection. Though Camila initially dismisses the teenager as vapid and out-of-touch, they connect over their struggles as artists. Camila becomes seduced by Madison’s can-do attitude and naïve drive. The short interaction ultimately sparks a new fire inside Camila.
Left alone to caretake a gay nude resort closed for the season, a man finds himself confronted by what he can see and what he can't. When everything is visible, when nothing is hidden, it's not just what you see - but what sees you, too.
Two teenagers decide to attend attend São Paulo's annual Gay Pride Parade, encouraged by one of their uncles, a successful - although closeted - business executive. After witnessing an incident of shocking violence at the parade, the group makes a pact - they all have one year to come out of the closet.
When Zaza, headliner of a weekly drag show, 'CHERRY POP', refuses to come out of her dressing room, all hell breaks loose backstage. A young newcomer, The Cherry, is hiding a huge secret from the girls while getting ready for his debut performance.
Desperate to avoid his family’s judgment about his perpetual single status, Peter convinces his best friend Nick to join him for the holidays and pretend that they’re now in a relationship. But when Peter’s mother sets him up on a blind date with her handsome trainer James, the plan goes awry.
Katie and her tall girlfriend Joan go on a date to the museum. Mildly wacky shenanigans ensue.
Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.
A very jealous man, convinced that his wife is cheating on him, hires a private detective to follow her. Soon after, the detective develops a strong attraction to her target.
Two girlfriends pick up a traumatized woman near the scene of an accident. But something isn't right about their passenger and soon the good Samaritans are trapped in a nightmare ride they'll never forget.
After getting dumped by his slutty girlfriend, Caleb falls in love with Gwen. However, thanks to Caleb's roommate, Gwen thinks he's gay and sets him up with her roommate, Marc.
As their big day approaches Cate and Cody should be celebrating, they've got their family with them, they've rented an island for the big day, but unbeknownst to them their wedding falls on the day when a 100 year old curse comes to fruition. Instead of celebrating they find themselves fighting for their lives as a coven of witches rise for revenge.
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big question to Jørgen. Jørgen happily accepts Jacobs marriage proposal, but then something happens: Jacob falls in love with a girl, and not just any girl. The girl is Caroline, married to Jørgens younger brother Tom.