Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.
Short documentary on underground rap culture in New York City.
A review of the wild New York City nightlife of the 90s. The cast of characters who made up the infamous Club Kids speak candidly about that era, culminating with Alig's release from incarceration.
This film is a portrait of New York in the 1980s by famed photographer Steven Siegel, including footage of the subways, the parks, Times Square and other neighborhoods. The film is narrated by teenagers of that era.
Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.
Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.
"Man in Red Bandana" is about Welles Remy Crowther, an extraordinary 9/11 hero. However, how his heroics became known is even more remarkable. Eight months after the disaster, his parents learned about how their son spent his last hour due to an ordinary object ... a red bandana. This revelation dramatically shifts their perspective on their loss. After hearing his remarkable story and how it unfolds, viewers will see how the actions of one man have touched 1,000s. This inspirational segment of the film depicts the unique, diverse and folklore ways that Welles is honored throughout the United States including in art, sports and song. Even President Barack Obama pays homage to this young man in the film. Our uplifting ending culminates in the revelation of a secret about Welles that can only be described as "perfect".
One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.
Emily Maitlis tells the story of Donald Trump, the world's most famous developer, who changed the New York skyline with his glitzy towers and made himself a multi-billionaire.
A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.
This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
An impressionistic, graphic history of one of the world's most infamous streets: Manhattan's 42nd Street. Likened to a DNA strip of New York City, the street has ranged from the glamorous to the derelict, housing everything from peep shows to such international institutions as the United Nations. The documentary is an exploration of the street's expansion from the farmland where Washington bivouacked his troops to the flashy, commercial center that it is today. With historical information, musical performances and personal narratives, the film traces the rise, subsequent dilapidation, and eventual resurgence of a street that has come to represent a place where, notoriously, anything may and has happened.
Throughout the 1950s and into the 1960s the communities of Cannonsville, Granton, Rock Rift, Rock Royal, Johnny Brook and Beerston, NY were destroyed to make way for the Cannonsville Reservoir. The reservoir would serve as the last piece of New York City’s growing water infrastructure in a battle of upstate versus downstate. 60 years after vacating or moving their homes, former residents gather at their annual town reunion to reflect and reminisce on their memories and the collective trauma that they share.
Hailed as the “godfather of Brooklyn pizza,” for forty five years Domenico DeMarco, Italian émigré and father of seven, has been slinging pizzas in his legendary corner shop, Di Fara. Employing five of his children, Dom works tirelessly from morning until night hand crafting each and every pizza himself while his kids take orders and manage the mob of devoted pizza aficionados. The Best Thing I Ever Done is a portrait of DeMarco and his beloved pizzeria, an exploration of his rise to fame and an ode to pizzaioli who take their time to 'make it right.'
Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.
Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.
A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.
Die Menschenfischer
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.