A Terrytoons cartoon released 25 June 1937.
Agent Equal The Movie A contract killer and hitman Elizabeth Adams hired James Smith she calls him Agent Equal then she give missions to Agent Equal to kill Diego Morales and Catalina Johnson.
A celebration of art by legendary animator Max Fleischer. Features: KoKo's Kozy Korner (1928), Somewhere in Dreamland (1936), Any Rags? (1932), Small Fry (1939), Dinah (1933), The Old Man of the Mountain (1933), and Popeye the Sailor Meets Sindbad the Sailor (1936).
ela cerra os olhos
A resident is challenged by demons from another realm in his closet.
Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.
A five-minute satirical rock opera about the rise of populist bro-culture.
What words come to mind when you think of Liquid Television? Perhaps smart.. funny.. dramatic... maybe even weird. Liquid Television was THE show for "up-and-coming" animators to show what they got. Who said that cartoons had to be drawn by hand? This show combined computer animation, drawings by hand, paper cut-outs, and even live action to make something entertaining for the viewers.
Ori Peer's Sun character in a 3 minute short employing a unique, cynical take on the cycle of life.
Chenghua is 9 years old and has to prepare a presentation on Space with her best friend. She can’t find the time she needs, as her parents are constantly asking her to translate for them. Chenghua’s parents don’t speak French and are so dependent on their child that they don’t realise they’re putting too much weight on her shoulders. Chenghua can’t take it anymore and is looking to break away from her family. Her desire for space and her natural enthusiasm will help her take the plunge.
a group of friends attend an art gallery show at the recently finished Tower of Babel.
Kafarnaum
A story of a recent graduate's perplexity and escape.
Tubby is a fat cat who has lived in the adoption centre since forever. Tubby is desperate to get out of there. One day, he saw a tv ad that skinny cats are in trend and getting many demands from humans. Tubby is determined to lose weight as it is the only way to attract humans to get him the ticket out of the adoption centre. Will Tubby finally get the adopted if he gets skinny and escape the jail-like adoption centre?
Silent cartoon.
Join Simon Sniffcock in his deep dive interview and behind the scenes look into The Big Lez show and it's creator, Clarence Claymore.
Honey Pie Pony hurts her leg and must stay in bed instead of heading off for a grand adventure. A disappointed Honey proves to be a very impatient patient, that is until Strawberry Shortcake and her friends work together telling stories and singing songs to cheer Honey up and make her feel better fast!
Orchids,… centers on an animated video in which Marten sets forth a sanitised and alluring world of free-floating and fragmentary objects. Excised from normal context and imbued with an impossible cosmetic sheen, these crystalline forms are conjured in colours that range from the surreally heightened to the deliberately banal. A line of toy-like objects – a train, a giraffe on wheels, a boat – trundles along on an impossibly turquoise plane. Parasitically followed by a swirling black fly, the unfolding narrative is one of production, consumption and saturation. Elsewhere, the naked human backside of the title (cropped and anonymous) is shown with a luridly-glowing orchid tucked between its buttocks. At points, the imagery takes on the semblance of a painting or diagram, both formulaic ‘analogues’ of reality, like the video itself, implying the knotty weight of a Cézanne still life.
In the futuristic city of Nouveau San Francisco, a hard-boiled hero "the Viper" and his rage fuelled pet partner "Kitty", will attempt to stop an egomaniacal industrialist "the Jackal" from an evil plan to create a pollution apocalypse.