Words of caramel

Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.

In the stunning and starkly beautiful landscape of Western Sahara, Walter Bencini recounts his journey to meet the Saharawi people, uprooted from their lands for decades and confined to desert tent camps named after the Moroccan cities where they once lived. It's the solidarity journey of a group of people from Valdarno, delivering the money and medicines raised through various initiatives directly into the hands of the beneficiaries.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

Forty years after its people were promised freedom by departing Spanish rulers, Western Sahara remains Africa's last colony. This film chronicles the everyday violence experienced by Sahrawis living under Moroccan occupation and voices the aspirations of a desert people for whom the era of colonialist never ended.

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

Taleb, who came to a refugee camp at the age of five in 1975 and returned there after his studies abroad, tells of his life as a displaced person, his gratitude for the reception and support in Algeria, and his hope that the Sahrawis may one day return to their homeland. For Taleb, this hope drives him to actively prepare for better times: as a graduate in agricultural sciences, he conceived a successful small-scale closed-loop economy in a desert under the most difficult conditions, producing enough food for self-sufficiency.

In this exclusive broadcast, Democracy Now! breaks the media blockade and goes to occupied Western Sahara in the northwest of Africa to document the decades-long Sahrawi struggle for freedom and Morocco's violent crackdown. Morocco has occupied the territory since 1975 in defiance of the United Nations and the international community. Thousands have been tortured, imprisoned, killed and disappeared while resisting the Moroccan occupation. A 1,700-mile wall divides Sahrawis who remain under occupation from those who fled into exile. The international media has largely ignored the occupation—in part because Morocco has routinely blocked journalists from entering Western Sahara. But in late 2016 Democracy Now! managed to get into the Western Saharan city of Laayoune, becoming the first international news team to report from the occupied territory in years.

This film offers a picture of the tense situation in which the Sahrawi people have lived for more than 30 years. The yearly celebration of a marathon in the Sahrawi refugee camps serves as the central focus of the story.

Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.

Education Center for disabled children located in the Sahrawi refugee camps in Algeria. Despite the precarious conditions in which this population lives since 40 years ago, the Polisario Front as the representative of the Sahrawi people has promoted inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories: children with special needs. "Castro" is the man who devotes his life to this beautiful project fighting all odds: physical, psychic, social, economic, and even the incomprehensions of his own society. The Sahrawis are living (resisting) in one of the harshest deserts on Earth but Castro has the magic formula to achieve the inclusion of these wonderful beings in his society and in the rest of the world: MUSAWAT, EQUALITY.

This is a story about women who are fighters, tenacious, hopeful, active women…who were capable of lifting, from nothingness, in the harshest landscape of the world, life. They are the Sahrawi women. 40 years ago, they were forced into exile; the men of this region, marched to war and the women created “temporary cities”: The Refugee Camps. They invented a new day to day life which made possible a sustainable existence and a hope, of one day returning home. Coría every night dreams of the sea; the majestic image of its water, the sound of its waves, are the echoes that join the people with their homeland. The will beats in the hearts of the Sahrawi women who maintain their unbreakable spirit, ever moving forward.

After the military occupation of Western Sahara in 1976, Moroccan government attacked the civil population with hard repression, forcing hundreds of Saharan people to “disappear” in clandestine jails. An invisible and slow death was the only horizon. However, some prisoners were able to survive after suffering their own “extinction” for more tan 10 years, ripped from their families, suffering torture, in total isolation. When they finally were released, their known world had changed radically.

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.

Documentary about the arduous early years of the Sahrawi cause (1977)

It describes the way of life of the Sahara people in the Western Sahara Desert, in particular it tells the story of a child bitten by a snake.

Atu is a 12-year-old Saharawi girl who comes to Valencia every summer to escape the suffocating desert summer in exile. Two opposing worlds between a conflict that has driven hundreds of thousands of people away from Western Sahara forcing them to live in southwestern Algeria. At her young age, with little resources and no homeland, she courageously faces the future.

The Runner is a film about endurance. It is the story of a champion long-distance runner whose journey transformed him from an athlete into the symbol of a national liberation movement. Salah Hmatou Ameidan is willing to risk his life, his career, his family and his nationality to run for a country that doesn't exist. He is from Western Sahara, officially Africa's last colony and under Moroccan occupation since 1975.

Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.

Refugees in Algeria since 1975, the Saharawi have had to forge another life path, fighting to return home. Their children, a generation born in exile to parents born in exile, tell the story and struggle of their people, the Saharawi, through their dreams, hopes, and strength.

My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.