A police officer finds himself worthless as he soon realizes there's no way he could put an end to a businessman associated with running a prostitution ring.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
A motorcycle accident in the city will be the precursor to a series of bizarre phenomena being revealed consecutively. Meanwhile, a girl named Yoko possesses a second sight which allows her to see strange things invisible to others.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by development. the forces behind it are demanding him to leave, but also consequently push him further and further into his not-home.
May, 1987. While returning from a nightclub and after having taken drugs, new girl in town Sara and her friend Rebe find a doll wearing a communion dress. From that moment, their lives will become a living hell.
In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
A bunch of spectators trapped in a cinema theatre.
When a woman wakes up unexpectedly from a coma after an experimental procedure, she must piece together her past while searching for her missing daughter in a sinister hospital that won't let her go.
A young couple makes one last ditch effort to recuperate their failing relationship. Taking an impromptu trip to a secluded camping location amidst dense woods they soon make shocking discoveries.
A young woman is horrified to discover that her father's new girlfriend looks identical to her dead mother.
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.
A detective investigates a series of murders. A possible serial killer might be on a rampage, since they all are in the same vicinity and by the same method, but as the evidence points toward the detective as the prime suspect, a ghost in red follows him, and he begins to question his identity. His realization of what seems to have really happened results in something much more sinister and larger in scope, and it leaves his psyche scarred.
Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
Events take a sinister turn one night in London, when two very different couples arrive at a double-booked apartment. Actions have consequences and not all debts are paid for with money. Leaving, it's harder than you think.
A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.