VICE News Presents: 'Epstein Didn't Kill Himself'

An exploration of the origins of memes, how they spread, and the stories behind some of the most popular “human memes” like Ermahgerd Girl, Overly Attached Girlfriend, and Chocolate Rain Guy.

Chronicles the epic battle that several American mothers are waging on behalf of their middle-school daughters, victims of sex-trafficking on Backpage.com, the adult classifieds section that for years was part of the Village Voice.

The dawn of the 21st Century has found much of modern society obsessed with occult mysteries, sadistic violence, and evil. Everything from cartoons and video games to recorded music and major theatrical films are being designed and promote to "satisfy" the public's insatiable lust for the macabre. Most disturbing is the rise in the practice of Satanism. Law enforcement agencies are unable to keep up with the increasing numbers of heinous, Satanically inspired crimes. Basically a remake of Devil Worship: The Rise of Satanism (1989) using the same footage.

A stranger's call informs Roberta that her estranged brother Frank has died in a small town under bizarre circumstances. Ben, his best friend from college, also gets the call. Arriving just in time for his funeral, it becomes quickly obvious to them that the little slice of small-town America in which they find themselves is like an episode of The Twilight Zone featuring Frank's eccentric friends, his amazing secrets and his stunning final request. Both Ben and Roberta are shocked to discover that Frank not only had a child, but that he has left them responsible for his son's care.

A documentary that explores the potential dangers of toxic chemicals in consumer products and the recent spike in unexplained health phenomena.

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

Documentary discussing evidence supporting the common conspiracy theory that aliens made contact with ancient humans and are responsible for all world religions as a method of control over humanity

The drought in the American West is predicted to be the worst in 1,000 years. Join five Academy Award-winning filmmakers as they explore the environmental crisis of our time and how to fix it before it's too late.

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

The alien abduction phenomenon, told by those who experienced it, with the weight of a Pulitzer Prize-winning Harvard psychiatrist at their back.

Follows the serendipitous meeting of two young girls on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on unexpected and lifelong friendship. CC is an aspiring singer trying to make it in Los Angeles. Hillary is the daughter of a prominent civil rights lawyer who struggles to find her own destiny. Their friendship—even with its ups and downs—sustains them for decades.

"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."

Teacher Nancy's life with her husband in Holland, Michigan, tumbles into a twisted tale when she and a colleague become suspicious of a secret.

Jonas, a sales professional from Frankfurt, finds the best solution to every problem at work. In his private life, however, there is something that can still be optimized: being a father! When his daughter Laila, who is growing up with her mother Shari in Hamburg, demands more time and closeness from him, he has to readjust his life, much to the chagrin of his girlfriend Kim.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

For a lifetime, Hedi Ohlsen subordinated her needs to the family. She raised a child, took care of the house and learned the unloved profession of dental assistant for the sake of her husband Johannes. And although John has left her for a younger one, Hedi still cares for her elderly mother-in-law Agnes. As this now blesses the time and Hedi finally wants to start her own life, suddenly her pregnant daughter Leonie is attacking at the door. She has quit, no money and no father for the child Hedi is to raise for her. Is the dream of late freedom back?

Should we believe everything we hear on the news? Can we trust the national media? Are we being fed the truth or an agenda? The 60 Minutes Deception takes you behind the scenes of one of America's most popular and longest running news magazine shows and reveals a shocking web of deceit! In The 60 Minutes Deception you will witness firsthand: How a dedicated and courageous journalist was viciously smeared by "60 Minutes" at the request of the White House. How Mike Wallace, the host of "60 Minutes," deliberately omitted crucial evidence and distorted interview responses through manipulative editing. Why the major news media refuses to report the truth about certain political scandals and the abuse of power. The 60 Minutes Deception is one of the most important and damaging expos�s ever produces, clearly showing the dishonest tactics used by the mainstream press in providing misinformation to the American people. Must viewing for all concerned Americans!

A famous photographer, Jo Ellen Hathaway, has been being stalked for quite some time. She returns to the island she grew up on in an effort to get away from the stalker and get some well-needed relaxation time. On the island, she meets up with old friends and boyfriends and works on relationships with her family. However, she can't shake the feeling that she's still being watched.

Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.