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Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.

The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.

A powerful documentary about five women whose lives have been irrevocably altered by the Rwandan genocide. With the country left nearly 70% female in the wake of the massacres, "God Sleeps In Rwanda" is a lucid portrait of the much larger change affected by women in the East African country.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

The stress, pressure, and fast pace that we experience daily make us overlook our well-being. We live immersed in a constant fleetingness that wreaks havoc on our way of life. Oasis is a critique of the overwhelming mass society that consumes us and emphasizes the need to stop, to find calm: an oasis in the midst of the desert.

Ghassan Sidawi takes a trip to get to know more about a late friend of his family. While doing so, he learns what it feels to be a lost Palestinian artist from home.

Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...

The work of taxonomists hides more secrets than can be perceived.

Yousef Srouji’s childhood in Palestine wasn’t something that he and his parents spoke of as a family, so when he found a box of his mother’s home videos from the early 2000s, an especially perilous and tumultuous period in the West Bank, the tapes became a means for remembering and comprehending a painful past. The stories she captured illuminate the nature of life in a war zone, and familial bonds that cannot be broken. – Bedatri Choudhury (DocNYC)

Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".

From the very first day of Israel-Gaza conflict in 2014, filmmaker Mohamed Jabaly has been there with his camera. He follows a team of paramedics in an ambulance, eventually becoming a core member who bears witness to their perilous and heartbreaking rescue work. Ambulance tracks the harrowing chaos amidst a state-run military operation on civilians.

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

Scenes from a production of The Diary of Anne Frank are combined with footage of young Palestinians talking candidly about war, first love and topics that Frank wrote about as a teenager.