Daughters of Darkness: Locations of Darkness

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

A look at what it's like to be gay and black in America.

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A documentary about the third series of Red Dwarf (1988).

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

Join visionary director Sam Raimi and the cast of the film as they recount their experiences bringing Marvel’s darkest story to life. From world-building to universe-building, hear first hand accounts from the cast and crew on what it took to design, create and make each universe unique and believable.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

A behind-the-scenes look at the making of Rob Schmidt's 'Wrong Turn'.

Documentary about the 1999 film. Featured on the special features for The Blair Witch Project Second Sight Blu-ray release.

A story from childhood and an indelible image continue to haunt Jamie many years later.

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

Hannas baby