Luna Moth (Performance Film)

They have no roots, no seeds, no flowers, but mosses show immense survival capacities and can suspend their biological activity for long periods. Today, researchers are exploring the exceptional resistance of these archaic organisms. British ecologists have even resurrected a "zombie" moss that has been trapped in the permafrost for 1,500 years. Associated with decay and disliked in Europe, mosses are deified in Japan. With 25,000 species worldwide, bryophytes - their scientific name - are the seat of real ecosystems, and can develop in inhospitable landscapes, through an extravagant reproduction cycle.

Stefan, a migrant construction worker living in Brussels, is planning a trip home to his mother in Romania. In preparing for his voyage, he reconnects with local family members over gifted bowls of homemade soup, interacts with strangers, and discovers a revivifying commune with nature. This leads him to an unexpected connection with Shuxiu, a Chinese-Belgian bryologist studying the local moss.

A literary translator in San Francisco is unexpectedly visited by her niece, who she has not seen since a tragic family event. The two then spend the weekend together in a small coastal town.

A weekend in the mountains.

A made-for-TV retelling of the story "The Twelve Dancing Princesses," directed by Ben Rea, featuring Jim Dale as the Soldier, Freddie Jones as the destitute King, and Gloria Grahame as the Witch. Significant changes were made to the story, including reducing the number of princesses to six, and the soldier ultimately declining to marry any of the princesses due to their deceitful nature.

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

East of Walbrzych

Dans la forêt de Borek

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.

Joyful, magical, inspiring, Into the Light with Cité Mémoire soars above the city, revealing history through giant projections that compel us to slow down, look up and breathe as characters of the past emerge from the stone walls of Old Montreal, touching us deeply with their human stories.

Yann Tiersen on Arte "Release Party" in 2019, performing his "All" album

Special-effects wizard Ray Harryhausen is the honored guest star of this presentation, a bonus feature on the "Mighty Joe Young" DVD. The Chiodo brothers - three of them - all interview Harryhausen on the 50th anniversary of the film. The Chiodo brothers - Charles, Edward and Stephen - are modern-day special-effects movie men.

Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.

A collection of performances by street musicians across the country, from New York to San Francisco, New Orleans to Chicago, the film presents 19 musicians in seven cities, and was one of Doob's first feature-length films. Among the singers, guitarists, drummers, dancers, and other artists, Doob includes street performance legends such as Brother Blue, Gene Palma, Bongo Joe, the Automatic Human Jukebox, and bluesman Jimmy Davis. The film captures a cross-section of Americans filled with raw talent, showmanship, and hustle, and presents a time capsule of the fashion, architecture, and culture of the 1970s. (Yale Film Archive)

Shortly before ten o’ clock in Karlsruhe. Bustle in the court room. The rituals before a major court ruling have been exactly the same for decades. The issues are evolving with the times. ARD law expert Frank Bräutigam is right at the centre.

The Listeners follows new volunteer trainees in suicide prevention as they answer suicide hotlines. Through their eyes and ears the film examines mental health and suicide prevention, volunteerism and the life-saving power of empathy.

Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.