O que corre em nós
In an underground fighting ring, two fighters, (gooners) are connected by a former love. After an affair they try to get revenge on each other. Engaging in a brutal fight lasting 3 rounds.
Gasolina
Daun yang Merekah
Khosrow is an elderly man living alone, exercising his daily routine, haunted by the overwhelming fear that one day he will die in solitude and his body will go unnoticed, left to rot. Beneath his strange isolation, however, Khosrow harbors a dark and terrifying secret.
A cop on vacation at a mountain resort comes to the rescue when the resort is taken over by violent criminals.
One evening, a couple of women decide to spend the night at home, facing the eternal dilemma of choosing movies to watch and what to order for lunch. As they debate their options, the conversation turns to topics such as movies, religion and politics, revealing their personalities, their differences and the love that unites them.
A barber seeks vengeance after his home is burglarized, cryptically telling police his "Lakshmi" has been taken, leaving them uncertain if it's a person or object, jeer at his request until they learn what they're really looking for.
Expelled from the ruling party, two young people determines to try their luck in party politics. Having no idea about anything they decides to find a shortcut to attain power.
Taro Shiraga (played by Ninomi Kobayashi), nicknamed “Shigarami Taro”, works in the insurance company’s contract management division. Officially, his role is to entertain insurance saleswomen and encourage them to improve their sales performance. Behind the scenes, however, he is a shrewd investigator of insurance pay-outs. Whenever an incident occurs, his “eyes” at the scene are sharp and discerning. Yet this hidden side of him remains unknown to his colleagues and family. One day, Taro is instructed to go to Matsue under the pretence of entertaining saleswomen from the Matsue branch. In reality, it is an assignment to investigate an insurance claim.
Sofia lives in isolation with her father in a house filled with silence, fear, and memories of her missing mother. The girl has never ventured beyond the familiar walls of her home and has never heard the noise of the city—she could only imagine it, building a miniature city of her dreams from the fragments around her. One evening, a boy who had gotten lost in the forest bursts into their lives, and this encounter will change Sofia’s life forever.
A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?
A man takes one last road trip with his criminal son.
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
Plastic Chairs follows Dylan, a recovering addict forced back into a support meeting by his sister after a near-fatal overdose. There, he meets Tom — a man further along the same path, who recognises his own past in Dylan and quietly offers understanding rather than judgment. As stories are shared and silences linger, the film observes the difficult, often invisible act of choosing to stay. Plastic Chairs is an intimate short film about relapse, accountability, and the courage it takes to show up for yourself when it feels impossible. Chloe Webb makes her directorial debut.
In Athens a collection of emeralds is successfully stolen by a team of robbers, led by safe-cracker Azad. Things go smoothly until they miss the ship by which they planned their escape; a police chief pursues Azad while he waits for the next ship to set off.
Kaalam is a human drama about how time influences perception, judgment, and compassion. In an ordinary setting of everyday lives, people cross paths and form opinions about one another - often too quickly. Actions are misunderstood, intentions are misread, and individuals are judged not for who they are, but for what is seen in a moment shaped by circumstances. As time moves through different phases - Samakaalam 1, Samakaalam 2, Kooththukaalam, and Maayakaalam.Perspectives begin to shift. What once appeared right starts to feel incomplete, and what seemed wrong reveals hidden truths. Time slowly exposes the gaps between appearance and reality. Kaalam reflects on how easily humans judge one another, and how time alone has the power to correct those judgments. It ultimately observes how time alters judgment and changes the way people see one another.
Gameleira Agulha
Set 6 months before the events of "The Gifted", Barbara and Vicky find themselves in Las Vegas to clean up loose ends of the past, propelling them toward their fate that is foreseen by a woman named Chica.
Thám Tử Sê Lốc Huy 5