Made for the NSPCC by the noted film director John Krish, They Took Us To The Sea follows a group of children taken by Inspectors of the NSPCC on an outing from Birmingham to Weston-Super Mare.
Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in refugee Centers, usually located on the outskirts of cities and villages. In such centers what should have been temporary has become indefinite. Collecting medicinal herbs or scraps from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.
A bike messenger, an electrician, a postal worker, a business man and an office worker make their way through an evening in New York City. A collection of eight large-scale moving images projected on the walls of New York's Museum of Modern Art.
A young David Gan joins the WWII effort, eager to serve his country. Feelings of exclusion as a Chinese-American disappear in the Army. After experiencing the loss of so many fallen comrades, David dedicates his life to those who never came home.
Noeli lives in a suburb of Porto Alegre, is a housewife and has two children. She was born in a country town, went to the capital, worked in a bakery, got married. She's an ordinary person. But there are no ordinary people.
This portrait of Hilary Knight, the artist behind the iconic Eloise books, sees him reflecting on his life as an illustrator and his relationship to his most successful work.
Samuel Beckett walks in Berlin in 1969.
A 96-year-old woman in a Kerala village pursues her lifelong dream of getting an education. Having never gone to school, she must start at the beginning...first grade.
A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.
The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.
Charles Lindbergh introduces this account of a trip from New York to California, by both train and plane, that took 48 hours.
El Pueblo Del Sol captures not only the visual delights of Mexico today, but also grasps the day-to-day life of a people in a land filled with future promise. One is mesmerized by rich images of such natural beauties as the Isla Contoy in the Caribbean, Copper Canyon in the Chihuahua Sierra, the Paricutin Volcano, and Ensenada's Bay. Short IMAX documentary.
Commissioned by Northwest Film Forum’s One-Shot program, this Safdie short trails two street hustlers working a “cold” con in downtown Seattle, observing the quick pitch, misdirection, and payoff with lean, street-level immediacy.
A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.
Låten från båten
BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by the sea. Seamlessly combining travelogue footage and appropriated clips from feature films, BEACON produces a single, imaginary locale. Distant echoes of stories of the sea mingle with the banality of today's touristy beachlife. In its collage of places of expectation and with its seductive prospects of the sea, Beacon sets off on a journey with no distinct destination.
Football seen through the eyes of some of the best directors of the world.
Black-and-white film projections by Bill Morrison, using archival footage of frigid Arctic scenes.
Interesting short documentary on young athletes in a Soviet ice skating program, some of whom are barely past toddler age. Kinetic and up close, the doc focuses on movement with music, eschewing interview and conversation, and mostly submerging political and social commentary.
Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.