Why Didn't Anybody Tell Me It Would Become This Bad in Afghanistan

Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

The film takes place away from the glittering strip of mega casinos, but the greed of Sin City is just as pervasive on the desert outskirts. This is where a happy family learns of a forgotten fortune that may be buried beneath their home. Their lives are turned upside down. A sophisticated study of just how far people are able and willing to go if faced with the tempting prospect of easily acquired wealth.

As director Hakim Belabbes chronicles his journey from his home in Chicago to visit his family in his hometown of Boujad in Morocco, his exploration of family relationships is self-conscious and at times painfully honest. We witness his most private moments with his family. The film intimately explores the domestic spaces and religious rituals of intra-family relationships, especially when compounded by one member's break with traditional values.

Caught between chasing his past and accepting his impending end, a man follows his childhood memories through the dark alleyways and desolate cemeteries of Boujad, Morocco.

Luke Wilson plays a good-hearted ex-con who gets a job in a retirement hotel. Three elderly residents help him win back his girlfriend as he lends them a hand in fighting hotel corruption.

Secrets of a Soul: Margarethe, Creator of bizarre sculptures! Night club dancer? Mad woman? Victim of an occult conspiracy?! Dark menaces steal her soul and organs. Though dead they keep her alive...

Beast!

The cosmos of the incurable Margarethe. Her journey through the mysteries of the Egyptian underworld. Will she be coming forth by day? Film in two parts by Carsten Frank.

In May 1828, a feral boy aged around 16 was found in Nuremberg. Kaspar Hauser, as he is called, can only speak a few indistinct words and knows nothing about his origins or family. The film depicts the - presumed - circumstances under which Hauser was held captive in complete isolation in a hiding place from infancy onwards. From this emerges the picture of an intrigue involving high circles of aristocratic society. Five years after his liberation, in December 1833, Kaspar Hauser died as a result of a stab wound inflicted by an unknown perpetrator.

On August 15, 2021, Afghanistan descends into chaos. In one day, the completion of the withdrawal of Western forces precipitated the debacle of the regime in place: the army vanished, the leaders fled and the Taliban took Kabul without a fight. The great Central Asian country opens a new chapter in its tragic history, twenty years after the "war on terror" launched by George W. Bush in response to the attacks of September 11, 2001. The undisputed masters of 40 million trapped Afghans, the "students of religion" are back and are savoring their revenge by posing as the United States' victors. Their program will surprise no one: to restore the Islamic emirate and set up the "true" sharia, i.e. a perfect world, with divine commandments applied to the letter as in the time of the prophet.

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

John and his girlfriend have vowed to marry once they save $30,000 for their dream house. But the minute they achieve their financial goal, John finds out his niece has been accepted at Harvard, and he's reminded of his promise to pay for her tuition (nearly $30,000). John's friend Duff convinces him to turn to petty crime to make the payment … but Duff's hare-brained schemes spin quickly out of control.

'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".

In South Boston, where Irish roots run deep and Catholic tradition reigns, two brothers face similar hardships but lead far different lives. While older brother Terry descends into drugs and crime, 16-year-old Cole vies to make the state baseball championships - but must struggle to withstand his brother's destructive influence.

Leonard Schiller once counted among New York's literary lions, but illness and ten years of writer's block have lowered his profile, almost to the point of obscurity. When Heather Wolfe, an ambitious literature major, asks to interview him for her thesis on his work, her interest forces him to address the issues that he has avoided all these years, and stirs in him feelings he has long forgotten, much to his daughter's consternation.

Hal is a 15-year-old high-school student with a minor yet socially alienating (and painful) disability: he stutters uncontrollably. Determined to work through the problem, Hal opts for an extreme route – he joins the school debating team, which sends him on a headfirst plunge into breakneck speech competitions and offers a much-needed boost toward correcting the problem.

Dark animation examining the thin line between human definitions of war and peace. Part of Sweet Disaster; a 1986 series of short films made for Channel 4. It consists of “animated visions of the apocalypse”.