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Zara Larsson held a one-off online concert on International Women’s Day in 2021. The livestream concert aired exclusively on Larsson’s YouTube channel and her performing was inside an Ikea store in Sweden. In a press release, the singer said: “I am so excited to collaborate with Ikea on this performance on International Women’s Day. I have always felt so passionately about equality and I’m excited to dedicate my first show in over a year to all the amazing women around the world. I have missed performing live so much during this time I hope my band, dancers and I can bring some sparkle and fun to your homes.”
Classic Album Expanded as a 6-Disc Set w/ Stereo, Mono and Surround Mixes, Rarities, & Live Recordings including Unreleased 1970 Club Performance!
Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.
Mark Knopfler - Milano 2019
"Viens voir le paysage" is based on the recording of a show during the tour of the Heptade in 1977. This unique film, of a rare intensity, is a living painting augmented with image treatments superimposed on the images of the time. This creation remains the only video recording of the group Harmonium on stage playing the integral of L'Heptade recently discovered and accompanied by a new audio mix in 5.1. You will also find on the DVD the unpublished song "C'est dans le noir". This piece, which had never been recorded in the studio, served as a presentation to the show of The Heptade on stage.
The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.
Peter Brooks' adaptation of Carmen by Mérimée and Bizet.
STS9 and Umphrey’s McGee roared into the windy city of Chicago and embarked on Northerly Island to rage the FirstMerit Bank Pavillion in front of the hometown masses. While the sun was still setting behind the beautiful Chicago skyline, STS9 kicked off the night with a bang, going straight into “This, Us.” The powerful set contained the Liquid Horns supporting the band for several tracks delivering the brass tax. A beautiful mid-set “Circus” was played, and later in the set David Murphy commented on the full moon shining upon the crowd before playing a gigantic “Moon Socket.”