Freydís and Gudrid

For eons, light and dark have fought ceaselessly for dominion over the world. Whispers echo of a Dark Lord whose insidious grip on the realm is marked by insatiable lust, twisted jealousy, ravenous greed, unrelenting vanity, and possessive manipulation. A group of adventurers rose to face this threat with hidden wishes of secrets and shadows untold.

In Benidorm, a mecca for impersonators of live singers, Dani doesn't want to be just a cover. He will meet Sandra and discover authenticity, love and what it means not to be one more.

An ode to musicals past. Handsome men spend their time in a beautiful manor.

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray. This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival. The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.

Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.

Ulysses is a shy and effeminate boy who finds himself coping with new responsibilities as man of the house after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses' journey takes a turn for the better when he finds a vibrant transgender community.

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

In the 1980s, the musical and futuristic teacher Clara Celeste arrives at a school surrounded by bullying problems driven by issues of ethnicity, sexuality, gender, physique, and behavior. With the teacher's help, a group of students are finally able to find their voice and experience empowerment, with the freedom to live as they wish. Despite this, prejudice still surrounds the school, always seeking to intimidate the students. To win this battle against intolerance and censorship, the group will need to stick together and believe in the power of change.

The story of a German singer named Willie, who while working in Switzerland, falls in love with a Jewish composer named Robert, whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Following a brutal war, former soldier Van toils in a mine controlled by the ruling empire. One day, his solitary existence is upended when a pack of wild dogs carrying a deadly and incurable disease attack, leaving only Van and a young girl named Yuna as survivors. Finally free, the pair seek out a simple existence in the countryside but are pursued by nefarious forces. Intent on protecting Yuna at all costs, Van must uncover the true cause of the plague ravaging the kingdom—and its possible cure.

In the fantasy state of Olivia, the robber chief Gasparone is up to all sorts of mischief. But Prefect Nasoni is not only worried about him, his son Sindulfo is also causing him headaches. He is supposed to marry Countess Ambrat, but loves Ita, the niece of Massaccio, a somewhat obscure existence. Then the elegant Erminio appears, and the countess makes eyes at him. Confusion after confusion until Massaccio is unmasked as Gasparone. Erminio turns out to be a civil servant who was set on Gasparone and now gets his beautiful countess. Sindulfo is the last to embrace his Ita.

A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.

A struggling young singer falls for a nightclub owner whose father, a millionaire, is trying to shut it down.