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At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.

In September 2004, Himzo Muratovic returned from the dead. Himzo turned up in a taxi in his Bosnian Muslim village, 12 years after he disappeared at the height of the Serb terror. His mother fell unconscious when neighbors told her that her missing son had returned. For several days the village celebrated the return of the long-dead Himzo Muratovic.

The war crimes trial of Ratko Mladic, accused of masterminding the murder of over 7000 Muslim men and boys in Srebrenica in the 90s Bosnian war, the worst crime in Europe since WW2.

(A) Torsion is a 2002 Bosnian short film directed by Stefan Arsenijevic. A singing group, trying to escape war-torn Sarajevo, has to wait for a tunnel to clear. While they wait, a cow has difficulty giving birth because of the "torsion" affecting its calf (i.e., it's in a twisted position inside). Fortunately, one of the choir members has some veterinary training, and with help from the chorus to drown out the sounds of war, the cow gives birth. The film was nominated for an Oscar for Best Live Action Short Film.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.

1992 Belgrade. Aleksa works the night shift at an occult magazine to avoid military police, draft and war. Old colleague, Mrs. Kosara, offers him shelter at her place. Soon, a dead friend warns him in his dream about the old lady.

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.

Deeply moved by the Bosnian tragedy and, more specifically, by the nightmare that the inhabitants of Sarajevo have been living for two years, the filmmaker Marcel Hanoun, like other great creators (from Susan Sontag to Juan Goytisolo), wanted to give testimony. He has made a superb film-poem in homage to this young Bosnian couple (belonging to two enemy communities) that was killed by an anonymous sniper on Liberty Bridge, in the summer of 1993, as they were trying to flee from the besieged city. ("Le Monde Diplomatique", 1994)

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

The extraordinary story of Sanja and Zoran, a couple who in 1993 fled and survived the siege of Sarajevo, the longest war in 20th century history, to find refuge in Italy, in Turin. In their life experience, past and present come together to give voice to friendship and hope, reflecting on war, prejudice, tolerance and acceptance.

While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

If the conflict in Bosnia has become something of a forgotten war, it's not for the want of trying from the immensely powerful BBC film Warriors, the story of five young soldiers and their harrowing experiences in the region.

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

The horrors of war are examined from the view points of lifelong friends (Linus Roache, Vincent Perez), who end up on opposing sides in the civil war in Sarajevo. One is an expert marksman, who trains the snipers used to terrify the city and the other becomes a freedom fighter, who rejects his friend's offer to gain an escape from the city. As might be expected, the two eventually have to face-off against one another.

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

This film follows 3 friends who were in Sarajevo during the war as they go to the US for the 20th anniversary of the Dayton Agreement, where they ask questions and consider the impact of the agreement 25 years later, having fun on the way.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.