Veer Mangdavalo

A princess and a servant boy form an unlikely bond, but their love faces opposition from the king's concerns about social status. Through trials and perseverance, they strive to overcome obstacles and find a way to be together against all odds.

It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.

In rural Gujarat, Seth Sagalsha and his wife make a solemn vow to feed a sadhu before eating themselves. When Lord Vishnu tests their resolve, their dedication faces an unexpected challenge. A story of faith and sacrifice unfolds in this poignant short.

In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.

In 17th-century Pohjola, young Antti Puuhaara is looking for himself, because he has grown up with no knowledge of his childhood. Two actors, the tragedian and the comedian, who were banished from Tsarist Russia to Karelia, had predicted to the crooked merchant Markki Bohattov that Antti's fate would become intertwined with his own. When Antti falls in love with Bohattov's daughter Darja, the father has to arrange for her to marry the tar merchant Arho Mustahatu.

An independent investigative journalist is on a mission to solve a string of strange deaths occurring in the forests of Western Newfoundland. What was once thought to be animal attacks is now being studied a little closer and just may be murders carried out by the mythical creature of provincial folklore, the Webber.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.

In this highly theatrical TV production, Monteiro again draws on the world of folklore – and, more precisely, on the widespread sexual connotation of the pomegranate – to tell a tale of love, envy, treason and mistaken/double identities.

Martirio, the mourner, falls in love with Sagrario, the bullfighter, when she sees her fighting the only bull of their little town. In order to get closer to her beloved, she will burn alive that bull to coincide the two of them at the funeral of the animal this way. There they will meet and will begin an intense relationship, where by night they will search the bull murderer all over the region. Finally it will be Martirio who will offer to accomplish the role of the bull on the motorcycle.

The Mother is one of Monteiro’s first essays on the universe of Portuguese oral culture, folktales and obscure colloquialisms. The plot revolves around a traditional tale about theft, greed, an ubiquitous mother, and the links between the worlds of the living and the dead.

Ratan's father promises her hand in marriage to another man. However, she is affectionate towards Ram and thinks of him as her husband.

Prince Dhola is unaware of his childhood marriage to princess Maru, whom he falls in love with as an adult. The couple fight against jealous relatives attempting to break up their relationship.

A woman is forced to continue working while one of her colleagues lies unconscious on the floor due to the long, hot work days. This fact causes insomnia problems and the suspicion that something is happening at night.

Padraig, a guilt laden and grief stricken man seeks the help of an eccentric carpenter, John, to help him build a coffin for his already dead and buried wife. As Padraig works with John he begins to discover an ancient hidden world of magic and mythology that has its sinister roots planted deep in the island of Ireland.

Balada o Vojtovej Marine

After successfully recapturing Semerah Padi from the terrorists who had killed his father Demang Satria, Adi Putra decides to rule Semerah Padi under the Islamic ruling. His ruling however wouldn't last for long. Adi Putra own lacked of reasoning will lead to his own downfall when someone accused his sister Kesuma to have an out of marriage relationship with his own best-friend Andika.

Divaswapna is a story of the journey of a village boy named Kanaji who achieved all his dreams with his courage, commitment and passion despite of many odds in his life.

In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.